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Victorians on Broadway : literature, adaptation, and the modern American musical /

"Victorians on Broadway" is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Ro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Weltman, Sharon Aronofsky, 1957- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Charlottesville : University of Virginia Press, 2020.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Weltman, Sharon Aronofsky,  |d 1957-  |e author. 
245 1 0 |a Victorians on Broadway :  |b literature, adaptation, and the modern American musical /  |c Sharon Aronofsky Weltman. 
264 1 |a Charlottesville :  |b University of Virginia Press,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a "Victorians on Broadway" is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Rossetti, Robert Louis Stevenson, and others, Weltman considers what cultural and interpretive work adaptations such as "The King and I" (1951), "Oliver!" (1960), "Sweeney Todd" (1979), and "Jekyll and Hyde" (1997) accomplish when they are adapted for the Broadway stage. In addition, Weltman examines what these musicals teach us about the Victorian books from which they derive. "Victorians on Broadway" also provides us with a great deal of background theater history, making sure that we can understand how "the American musical" developed its own generic specificity. The book moves chronologically, reflecting the major developments in American musical theater, and Victorian-sourced Broadway musical adaptations have been produced at each stage: the Golden Age of Broadway, the musical theater experiments of the 1970s and 1980s that focus as much on concept as story (exemplified by Stephen Sondheim), and the era of pop megamusicals, revealing the Broadway musical's debt to melodrama. Organizing these chapters chronologically situates the adaptations within the history of musical theater and focuses attention on how they fit into aesthetic and intellectual movements"--  |c Provided by publisher. 
505 0 |a Intro -- Contents -- Acknowledgments -- Introduction -- 1. Broadway, Victorian Venus, and the middlebrow -- 2. The King and who? -- 3. Performing Jewishness in Oliver! -- 4. Dickens, cultural anxiety, and Victorianness in Sweeney Todd -- 5. The meta-mystery of Edwin Drood -- 6. Goblin market, performance, and sexuality -- 7. "Bring on the men" and women -- 8. Broadway's "Jane! Jane! Jane!" -- Conclusion -- Notes -- Bibliography -- Index. 
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650 0 |a Musicals  |x Stories, plots, etc. 
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650 6 |a Littérature anglaise  |y 19e siècle  |x Influence. 
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648 7 |a 1800-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
655 7 |a Stories, plots, etc.  |2 fast 
776 0 8 |i Print version:  |a Weltman, Sharon Aronofsky, 1957-  |t Victorians on Broadway.  |d Charlottesville : University of Virginia Press, 2020  |z 9780813944319  |w (DLC) 2020017314 
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