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On the art of the nō drama : the major treatises of Zeami /

This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Zeami, 1363-1443
Otros Autores: Rimer, J. Thomas, Yamazaki, Masakazu, 1934-2020
Formato: Electrónico eBook
Idioma:Inglés
Japonés
Publicado: Princeton, N.J. : Princeton University Press, ©1984.
Colección:Princeton library of Asian translations.
Temas:
Acceso en línea:Texto completo

MARC

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240 1 0 |a Works.  |k Selections.  |l English.  |f 1984 
245 1 0 |a On the art of the nō drama :  |b the major treatises of Zeami /  |c translated by J. Thomas Rimer, Yamazaki Masakazu. 
264 1 |a Princeton, N.J. :  |b Princeton University Press,  |c ©1984. 
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504 |a Includes bibliographical references (pages 287-292) and index. 
505 0 |a The background of Zeami's treatises / J. Thomas Rimer -- The aesthetics of ambiguity: the artistic theories of Zeami / Yamazak Masakazu -- Texts used for the translations -- Notes on the treatises -- Teachings on style and the flower(Fūshikaden) -- The true path to the flower(Shikadō) -- A mirror held to the flower (Kakyō) -- Disciplines for the joy of art(Yūgaku shūdo fūken) -- Notes on the nine levels(Kyūi) -- Finding gems and gaining the flower(Shūgyoku tokka) -- The three elements in composing a play(Sandō or Nōsakusho) -- Learning the way(Shūdōsho) -- An account of Zeami's reflections on art(Sarugaku dangi) -- Glossaries. English-Japanese glossary ; Japanese-English glossary ; Important persons mentioned in the text ; List of plays and entertainments mentioned in the text. 
546 |a Translated from the Japanese. 
588 0 |a Print version record. 
520 |a This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience. 
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