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The address of the eye : a phenomenology of film experience /
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparat...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
c1992.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Ch. 1. Phenomenology and the Film Experience. The Embodied and Enworlded Eye: Perception and Expression. Film Theory and the Objectification of Embodied Vision. Phenomenology and Film Theory
- Ch. 2. The Act of Being with One's Own Eyes. Intentionality, Embodiment, and Movement. The Viewing Subject. Film and/as Viewing Subject. Whose Body? A Brief Meditation on Sexual Difference and Other Bodily Discriminations
- Ch. 3. Film's Body. Technology and Instrumentality. Tile Film Embodied. Film's Body: A Brief Intentional History
- Ch. 4. The Address of the Eye. Thesis and Antithesis: The Paranoia of Split Vision. Synthesis: The Dialectics of Double Vision. The Eye's Address. Toward the "Incorporation" of Subjective Experience in Film Theory.