Tabla de Contenidos:
  • pt. 1. A neoformalist approach to film analysis: Neoformalist film analysis: one approach, many methods
  • pt. The ordinary film: "No, Lestrade, in this case nothing was left to chance": motivation and delay in Terror by night
  • pt. 3. Analyzing the dominant: Boredom on the beach: triviality and humor in Les vacances de Monsieur Hulot
  • Sawing through the bough: Tout va bien as a Brechtian film
  • pt. 4. Defamiliarization within the classical cinema: Duplicitous narration and Stage fright
  • Closure within a dream?: point of view in Laura
  • pt. 5. A formal look at realism: Realism in the cinema: Bicycle thieves
  • An aesthetic of discrepancy: The rules of the game
  • pt. 6. The perceptual challenges of parametric form: Play time: comedy on the edge of perception
  • Godard's unknown country: Sauve qui peut (la vie)
  • The sheen of armor, the whinnies of horses: sparse parametric style in Lancelot du Lac
  • Late spring and Ozu's unreasonable style.