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871223s1988 njuaf ob 001 0 eng |
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|d JSTOR
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|d OCLCQ
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|z 0691067244 (alk. paper)
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|z (OCoLC)1149262397
|z (OCoLC)1175632820
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|b JSTOR
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|a 791.43/75
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|a 24.31
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|a AP 57700
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|a UAMI
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1 |
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|a Thompson, Kristin,
|d 1950-
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| 245 |
1 |
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|a Breaking the glass armor :
|b neoformalist film analysis /
|c Kristin Thompson.
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| 260 |
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|a Princeton, N.J. :
|b Princeton University Press,
|c c1988.
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| 300 |
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|a 1 online resource (x, 361 p., [41] p. of plates )
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 504 |
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|a Includes bibliographical references and index.
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|a Description based on print version record and CIP data provided by publisher; resource not viewed.
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|g pt. 1.
|t A neoformalist approach to film analysis:
|t Neoformalist film analysis: one approach, many methods --
|g pt.
|t The ordinary film:
|t "No, Lestrade, in this case nothing was left to chance": motivation and delay in Terror by night --
|g pt. 3.
|t Analyzing the dominant:
|t Boredom on the beach: triviality and humor in Les vacances de Monsieur Hulot --
|t Sawing through the bough: Tout va bien as a Brechtian film --
|g pt. 4.
|t Defamiliarization within the classical cinema:
|t Duplicitous narration and Stage fright --
|t Closure within a dream?: point of view in Laura --
|g pt. 5.
|t A formal look at realism:
|t Realism in the cinema: Bicycle thieves --
|t An aesthetic of discrepancy: The rules of the game --
|g pt. 6.
|t The perceptual challenges of parametric form:
|t Play time: comedy on the edge of perception --
|t Godard's unknown country: Sauve qui peut (la vie) --
|t The sheen of armor, the whinnies of horses: sparse parametric style in Lancelot du Lac --
|t Late spring and Ozu's unreasonable style.
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| 590 |
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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| 630 |
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7 |
|a Bibel
|p Philemonbrief
|2 gnd
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| 650 |
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0 |
|a Motion pictures.
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| 650 |
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0 |
|a Film criticism
|x Philosophy.
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| 650 |
|
6 |
|a Cinéma.
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| 650 |
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6 |
|a Cinéma
|x Philosophie.
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| 650 |
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6 |
|a Critique cinématographique
|x Philosophie.
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| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
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| 650 |
|
7 |
|a Film criticism
|x Philosophy
|2 fast
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| 650 |
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7 |
|a Motion pictures
|2 fast
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| 650 |
|
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|a Filmkritik
|2 gnd
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| 650 |
|
7 |
|a Neoformalismus
|g Film
|2 gnd
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| 650 |
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7 |
|a Formalismus
|g Kunst
|2 gnd
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| 650 |
|
7 |
|a Estética do cinema.
|2 larpcal
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| 650 |
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7 |
|a Filosofia do cinema.
|2 larpcal
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| 650 |
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7 |
|a Crítica cinematográfica.
|2 larpcal
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| 650 |
|
7 |
|a Linguagem cinematográfica.
|2 larpcal
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| 655 |
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4 |
|a Aufsatzsammlung.
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| 655 |
|
7 |
|a Motion pictures
|2 fast
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| 655 |
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7 |
|a Motion pictures.
|2 lcgft
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| 655 |
|
7 |
|a Films.
|2 rvmgf
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| 740 |
0 |
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|a Neoformalist film analysis.
|
| 776 |
0 |
8 |
|i Print version:
|t Breaking the glass armor
|d Princeton, N.J. : Princeton University Press, c1988.
|z 0691067244 (alk. paper) :
|w (DLC) 87034310
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvzxx93s
|z Texto completo
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| 938 |
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|a YBP Library Services
|b YANK
|n 16720945
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| 938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH37347580
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| 994 |
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|a 92
|b IZTAP
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