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|a ART
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|a UAMI
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|a Demos, T. J.,
|e author.
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|a Beyond the world's end :
|b arts of living at the crossing /
|c T.J. Demos.
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|a Durham :
|b Duke University Press,
|c 2020.
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|c ©2020
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|a 1 online resource (viii, 260 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
|b PDF
|2 rda
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|a Includes bibliographical references and index.
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|a In Beyond the World's End T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
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|a Includes bibliographical references and index
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|a Feeding the ghost : John Akomfrah's Vertigo Sea -- Blackout : the necropolitics of extraction -- The visual politics of climate refugees -- Gaming the environment : on the media ecology of public studio -- Animal cosmopolitics : The art of Gustafsson & Haapoja -- To save a world : geoengineering, conflictual futurisms, and the unthinkable -- The great transition : the arts and radical system change.
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|a Description based on online resource; title from digital title page (viewed on February 22, 2021).
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|3 Use copy
|f Restrictions unspecified
|2 star
|5 MiAaHDL
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|a Electronic reproduction.
|b [Place of publication not identified]:
|c HathiTrust Digital Library.
|d 2021.
|5 MiAaHDL
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|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
|u http://purl.oclc.org/DLF/benchrepro0212
|5 MiAaHDL
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583 |
1 |
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|a digitized
|c 2021.
|h HathiTrust Digital Library
|l committed to preserve
|2 pda
|5 MiAaHDL
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|a In English.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Ecology in art.
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650 |
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|a Human ecology in art.
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650 |
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|a Social justice in art.
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650 |
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|a Art and society.
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|a Art
|x Political aspects.
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650 |
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|a Écologie humaine dans l'art.
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650 |
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|a Justice sociale dans l'art.
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650 |
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|a Art et société.
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650 |
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|a Art
|x Aspect politique.
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650 |
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|a political art.
|2 aat
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|
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|a ART
|x History
|x Contemporary (1945- )
|2 bisacsh
|
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|
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|a Art and society
|2 fast
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|a Art
|x Political aspects
|2 fast
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|
7 |
|a Ecology in art
|2 fast
|
650 |
|
7 |
|a Human ecology in art
|2 fast
|
650 |
|
7 |
|a Social justice in art
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Demos, T.J.
|t Beyond the world's end.
|d Durham : Duke University Press, 2020
|z 9781478008668
|w (DLC) 2019047895
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv16km1zx
|z Texto completo
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