Representing from life in seventeenth-century Italy /

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In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and author...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McTighe, Sheila (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, 2020
Colección:Visual and material culture, 1300-1700 ; 20.
Temas:
1600-1699
Art, Italian > 17th century.
Art, European > 17th century.
Portrait drawing, Italian > History > 17th century.
Portrait painting, Italian > History > 17th century.
Art italien > 17e siècle.
Art européen > 17e siècle.
Dessin de portraits italien > Histoire > 17e siècle.
Peinture de portraits italienne > Histoire > 17e siècle.
History of art and design styles: c 1600 to c 1800.
Painting and paintings.
ART > History > Baroque & Rococo.
Art, European.
Art, Italian.
Portrait drawing, Italian.
Portrait painting, Italian.
Bamboccianti.
Caraavaggio.
Claude Lorrain.
Jacques Callot.
ad vivum.
realism.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Acknowledgements
  • Table of Contents
  • Illustration List
  • Introduction: From Life
  • 1. Caravaggio's Physiognomy
  • 2. Jacques Callot, Drawing Dal Vivo in 1620: Commerce in Florence, Piracy on the High Seas
  • 3. Jacques Callot's Capricci di varie figure (1617): The Allusive Imagery of the Everyday, Represented 'from Life' and Emulating a Text
  • 4. The Motif of the Shooting Man, and Capturing the Urban Scene: Claude Lorrain and the Bamboccianti
  • 5. The absent eyewitness: the Revolt of Masaniello and depiction dal vivo in the middle of the seventeenth century
  • Conclusion
  • Index

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