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200427s2020 ne a ob 001 0 eng d |
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|b eng
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|d JSTOR
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|a 9789048533268
|q (electronic bk.)
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|a 9048533260
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|z 9462983283
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|b 000067168541
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|a AU@
|b 000068393448
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|a (OCoLC)1152158868
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|a 22573/ctv10tqw0g
|b JSTOR
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|a N6916
|b .M38 2020eb
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|a ART
|x 015090
|2 bisacsh
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|a ART
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|a 709.94509032
|2 23
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|a UAMI
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|a McTighe, Sheila,
|e author.
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|a Representing from life in seventeenth-century Italy /
|c Sheila McTighe.
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|a Amsterdam :
|b Amsterdam University Press,
|c 2020
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|c ©2020
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|a 1 online resource (251 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Visual and material culture, 1300-1700 ;
|v 20
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|a Includes bibliographical references and index.
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|a In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.
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|a Print version record.
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|t Frontmatter --
|t Acknowledgements --
|t Table of Contents --
|t Illustration List --
|t Introduction: From Life --
|t 1. Caravaggio's Physiognomy --
|t 2. Jacques Callot, Drawing Dal Vivo in 1620: Commerce in Florence, Piracy on the High Seas --
|t 3. Jacques Callot's Capricci di varie figure (1617): The Allusive Imagery of the Everyday, Represented 'from Life' and Emulating a Text --
|t 4. The Motif of the Shooting Man, and Capturing the Urban Scene: Claude Lorrain and the Bamboccianti --
|t 5. The absent eyewitness: the Revolt of Masaniello and depiction dal vivo in the middle of the seventeenth century --
|t Conclusion --
|t Index
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Art, Italian
|y 17th century.
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|a Art, European
|y 17th century.
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|a Portrait drawing, Italian
|x History
|y 17th century.
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650 |
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|a Portrait painting, Italian
|x History
|y 17th century.
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|a Art italien
|y 17e siècle.
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|a Art européen
|y 17e siècle.
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|a Dessin de portraits italien
|x Histoire
|y 17e siècle.
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|a Peinture de portraits italienne
|x Histoire
|y 17e siècle.
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650 |
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|a History of art and design styles: c 1600 to c 1800.
|2 bicssc
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650 |
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|a Painting and paintings.
|2 bicssc
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|a ART
|x History
|x Baroque & Rococo.
|2 bisacsh
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|a Art, European.
|2 fast
|0 (OCoLC)fst00816244
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650 |
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|a Art, Italian.
|2 fast
|0 (OCoLC)fst00816430
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650 |
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|a Portrait drawing, Italian.
|2 fast
|0 (OCoLC)fst01072139
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|a Portrait painting, Italian.
|2 fast
|0 (OCoLC)fst01072221
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|a 1600-1699
|2 fast
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|a Bamboccianti.
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|a Caraavaggio.
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|a Claude Lorrain.
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|a Jacques Callot.
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|a ad vivum.
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|a realism.
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|a History.
|2 fast
|0 (OCoLC)fst01411628
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|i Print version:
|a McTighe, Sheila.
|t Representing from life in seventeenth-century Italy.
|d Amsterdam : Amsterdam University Press, [2020]
|z 9462983283
|w (OCoLC)1128200885
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830 |
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|a Visual and material culture, 1300-1700 ;
|v 20.
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4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv10tq4fk
|z Texto completo
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938 |
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|a Amsterdam University Press
|b AUPA
|n 9789048533268
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6184606
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938 |
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|a EBSCOhost
|b EBSC
|n 2453343
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938 |
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|a YBP Library Services
|b YANK
|n 16634297
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|a 92
|b IZTAP
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