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Antonio Pietrangeli, the director of women : feminism and film theory in postwar Italian cinema /
One of the founding fathers of neorealism in the postwar period in Italy, Antonio Pietrangeli went on to focus his lens upon the female subject. Eight of his ten full-length films feature female protagonists. This study seeks to better understand both his achievements and his failings as a feminist...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
London ; New York, NY :
Anthem Press,
2020.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Van Ness, Emma Katherine, |e author. | |
| 245 | 1 | 0 | |a Antonio Pietrangeli, the director of women : |b feminism and film theory in postwar Italian cinema / |c Emma Katherine Van Ness. |
| 264 | 1 | |a London ; |a New York, NY : |b Anthem Press, |c 2020. | |
| 300 | |a 1 online resource : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Vita -- Introduction: Antonio Pietrangeli, A Brief History -- The Director of Women but Never a Feminist -- Notes -- Chapter 1 Pietrangelian Film Theory: From Neorealism to Feminism -- Spazzatura Americana-American Trash and Hollywood Cinema -- Classical Cinema: Not a Female Spectator's Sport -- Critical/Psychoanalytical -- Dietrich's Asbestos Dress -- I'm Not a Psychologist, I Just Play One in the Movies -- Notes -- Chapter 2 Maid from the Margins: Il sole negli occhi | |
| 505 | 8 | |a Sun in Her Eyes? -- Femmi-Neorealismo -- Servile Italy: From Whore to Consumer -- The Riddle of the Servant -- Ragazza-Madre -- Notes -- Chapter 3 The Coming of Age of a Teenage Bride: Nata di marzo -- Producing the Couple, but Not the Happy Ending -- The Fifties Child Bride -- Francesca, Desperate Housewife -- How Do You Solve a Problem Like Francesca? -- Bride as Commodity: Francesca, Fetishism and Alienation -- Mis-Leading Lady -- Notes -- Chapter 4 Legally Bound: Political Realism and Prostitution in Adua e le compagne -- Keeping Adua and Her Friends Down | |
| 505 | 8 | |a Senator Merlin at the Venice Film Festival -- Burning the Licenses -- Scuttling the Ship -- Prostitution Is Not a Metaphor -- Notes -- Chapter 5 Fantasmi a Roma: Sur-Realism and the Time-Image -- Material Ghosts and Metacinema -- Ghosts and Deleuze's Crystal -- Time In Limine -- History Lessons -- The Specter of One-Dimensional Rome -- Notes -- Chapter 6 The Dora Problem: La parmigiana, Piatti, Pietrangeli and Freud -- The Spectator and the Reader: Dora and Pornography -- A Symptomatic Act -- Dora's Sorties -- Notes -- Chapter 7 Too Much Woman: Marriage, Power, and Excess in La visita | |
| 505 | 8 | |a Excessive Criticism and the Cinema of Excess -- Eros and Ananke -- The World's Oldest Profession: Marriage -- La Bella Culandrona -- The Female Voice (Over) -- Notes -- Chapter 8 Breaking Faith: Il magnifico cornuto, Envy and the Crisis of Vision -- Envy, Anxiety, Gender -- The Farce of Proof -- In(Videre) -- The Male Hysteria of Betrayal -- Vision and Knowledge -- Notes -- Chapter 9 Io la conoscevo bene ... Or did I? Antonio Pietrangeli, the Author and the Actress -- The Death of the Cinematic Auteur -- An Absurd Reasoning -- Embodying the (Male) Gaze -- Birthing the Spectator -- Notes | |
| 505 | 8 | |a Conclusion: Antonio Pietrangeli, Feminism and Film Theory -- The Need for New Theories, New Fathers -- Post-Neorealism, Pre-Feminism -- Notes -- Bibliography -- Index | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on May 28, 2020). | |
| 520 | |a One of the founding fathers of neorealism in the postwar period in Italy, Antonio Pietrangeli went on to focus his lens upon the female subject. Eight of his ten full-length films feature female protagonists. This study seeks to better understand both his achievements and his failings as a feminist auteur as well as analyse his films by applying new critical and theoretical approaches. Pietrangeli's representations of women struggling with questions of identity was a revolutionary act in the 1950s and 1960s. The book makes a case why we should recuperate these films today since the standards for representing women in film continue to fall behind the reality of women's lives off-screen. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
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| 600 | 1 | 0 | |a Pietrangeli, Antonio, |d 1919-1968 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Pietrangeli, Antonio, |d 1919-1968 |2 fast |
| 650 | 0 | |a Feminism and motion pictures |z Italy. | |
| 650 | 6 | |a Féminisme et cinéma |z Italie. | |
| 650 | 7 | |a Feminism and motion pictures |2 fast | |
| 651 | 7 | |a Italy |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Ness, Emma Katherine Van. |t Antonio Pietrangeli, The Director of Women : Feminism and Film Theory in Postwar Italian Cinema. |d London : Anthem Press, ©2020 |z 9781785273179 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvqmp2g7 |z Texto completo |
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