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Stop reading! Look! : modern vision and the Weimar photographic book /
In the second half of the Weimar period (1918-33), photographers produced books consisting almost entirely of sequenced images. The subjects ranged widely: from plants and nature to the modern metropolis, from exotic cultures to the German Volk, from anonymous workers to historical figures. While ma...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor [Michigan] :
University of Michigan Press,
2015.
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| Colección: | Social history, popular culture, and politics in Germany.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Stetler, Pepper, |e author. | |
| 245 | 1 | 0 | |a Stop reading! Look! : |b modern vision and the Weimar photographic book / |c Pepper Stetler. |
| 264 | 1 | |a Ann Arbor [Michigan] : |b University of Michigan Press, |c 2015. | |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Social history, popular culture, and politics in Germany | |
| 500 | |a Revision of the author's thesis (Ph. D.)--University of Delaware, 2009. under the title: Bound vision : reading the photographic book in the Weimar Republic. | ||
| 504 | |a Includes bibliographical references (pages 223-234) and index. | ||
| 520 | 0 | |a In the second half of the Weimar period (1918-33), photographers produced books consisting almost entirely of sequenced images. The subjects ranged widely: from plants and nature to the modern metropolis, from exotic cultures to the German Volk, from anonymous workers to historical figures. While many of the books were created by key practitioners and theorists of modern photography, scholars have rarely addressed the significance of the book format to modern conceptions of photographic meaning. The term "photo-essay" implies that these photographic books were equivalent to literary endeavors, created by replacing text with images, but such assumptions fail to explore the motivations of the books' makers. Stop Reading! Look! argues that Weimar photographic books stood at the center of debates about photography's ability to provide uniquely visual forms of perception and cognition that exceed the capacity of the textual realm. Each chapter provides a sustained analysis of a photographic book, while also bringing the cultural, social, and political context of the Weimar Republic to bear on its relevance and meaning. |c Publisher | |
| 505 | 0 | |a Introduction : how to read a photographic book -- Visualizing the book : László Moholy-Nagy's Malerei Photographie Film -- The value of photography : Albert Renger-Patzsch's Die Welt ist schön -- Natural history : Karl Blossfeldt's Urformen der Kunst -- Facing the photographic book : Helmar Lerski's Köpfe des Alltags -- Conclusion : after the Weimar photographic book. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 610 | 2 | 7 | |a Bauhaus-Universität Weimar |b Abteilung Fotografie |2 gnd |
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| 651 | 6 | |a Allemagne |x Histoire |y 1918-1933. | |
| 650 | 6 | |a Communication visuelle |z Allemagne |x Histoire |y 20e siècle. | |
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| 830 | 0 | |a Social history, popular culture, and politics in Germany. | |
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