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|a 9780520912861
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|a 791.43/75/0973
|2 19
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|a UAMI
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|a MacDonald, Scott,
|e author
|4 aut
|4 http://id.loc.gov/vocabulary/relators/aut
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|a A Critical Cinema 2 :
|b Interviews with Independent Filmmakers /
|c Scott MacDonald.
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|a Reprint 2019.
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|a Berkeley, CA :
|b University of California Press,
|c [1992]
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|c ©1992
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|a 1 online resource (480 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a text file
|b PDF
|2 rda
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|t Frontmatter --
|t Contents --
|t Acknowledgments --
|t Introduction --
|t Robert Breer --
|t Michael Snow --
|t Jonas Mekas --
|t Bruce Baillie --
|t Yoko Ono --
|t Anthony McCall --
|t Anne Robertson --
|t James Benning --
|t Lizzie Borden --
|t Ross McElwee --
|t Su Friedrich --
|t Anne Severson (on Near the Big Chakra) --
|t Laura Mulvey (on Riddles of the Sphinx) --
|t Yvonne Rainer (on Privilege) --
|t Trinh T. Minh-ha --
|t Godfrey Reggio --
|t Peter Watkins --
|t Filmography --
|t Bibliography --
|t Index
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|a In English.
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|a Online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020).
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|a This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Experimental films
|z United States
|x History and criticism.
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|a Independent filmmakers
|z United States
|x Interviews.
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0 |
|a Independent filmmakers
|z United States
|v Interviews.
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650 |
|
6 |
|a Cinéastes indépendants
|z États-Unis
|v Entretiens.
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650 |
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7 |
|a NON-CLASSIFIABLE.
|2 bisacsh
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|a Experimental films.
|2 fast
|0 (OCoLC)fst00918452
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|a Independent filmmakers.
|2 fast
|0 (OCoLC)fst00968926
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|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
|
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|a Interviews.
|2 fast
|0 (OCoLC)fst01423832
|
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0 |
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|i Print version:
|z 9780520079182
|
856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.2711562
|z Texto completo
|
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|a De Gruyter
|b DEGR
|n 9780520912861
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|a 92
|b IZTAP
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