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The traumatic screen : the films of Christopher Nolan /
The Traumatic Screen is a psychoanalytic analysis that considers the function and presentation of trauma in Christopher Nolan's films. Using a methodological framework with references Freud and Lacan, the author argues that Nolan's films highlight the ways in which the cinema can provide s...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, IL :
Intellect Books,
2020.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Joy, Stuart, |e author. | |
| 245 | 1 | 4 | |a The traumatic screen : |b the films of Christopher Nolan / |c Stuart Joy. |
| 264 | 1 | |a Bristol, IL : |b Intellect Books, |c 2020. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed April 9, 2020). | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgements -- List of Illustrations -- Introduction -- 1. The Traumatic Screen: Trauma, Psychoanalysis and Cinema -- 2. Revisiting the Scene of the Crime: Repressing the Past in Insomnia -- 3. Batman Begins, Again: The Temporality of Trauma in The Dark Knight Trilogy -- 4. Looking for the Secret: Trauma and Desire in The Prestige -- 5. The Dream Has Become Their Reality: Acting-Out and Working-Through Trauma in Inception -- 6. Beyond the Void: Interstellar and the Possibility of Post-Traumatic Growth | |
| 505 | 8 | |a 7. Keep Calm and Carry On: Combating Cultural Trauma in Dunkirk -- 8. Conclusion: Ending at the Beginning with Doodlebug, Following and Memento -- References -- Index -- Back Cover | |
| 520 | |a The Traumatic Screen is a psychoanalytic analysis that considers the function and presentation of trauma in Christopher Nolan's films. Using a methodological framework with references Freud and Lacan, the author argues that Nolan's films highlight the ways in which the cinema can provide specific insights into the nature of human consciousness. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 600 | 1 | 0 | |a Nolan, Christopher, |d 1970- |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Nolan, Christopher, |d 1970- |2 fast |0 (OCoLC)fst01568745 |
| 650 | 0 | |a Motion picture producers and directors |z Great Britain. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Grande-Bretagne. | |
| 650 | 7 | |a Motion picture producers and directors. |2 fast |0 (OCoLC)fst01027225 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvvvx |z Texto completo |
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