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|a UAMI
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|a Intercultural screen adaptation :
|b British and global case studies /
|c edited by Michael Stewart and Robert Munro.
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|a Edinburgh :
|b Edinburgh University Press,
|c 2020.
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300 |
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|a 1 online resource (xiv, 250 pages) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a Includes bibliographical references and index.
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|a Intercultural Screen Adaptation offers a wide-ranging examination of how film and television adaptations (and non-adaptations) interact with the cultural, social and political environments of their national, transnational and post-national contexts. With screen adaptations examined from across Britain, Europe, South America and Asia, this book tests how examining the processes of adaptation across and within national frameworks challenges traditional debates around the concept of nation in film, media and cultural studies. With case studies of films such as Under the Skin (2013) and T2: Trainspotting (2017), as well as TV adaptations like War and Peace (2016) and Narcos (2015 - 2017), Intercultural Screen Adaptation offers readers an invigorating look at adaptations from a variety of critical perspectives, incorporating the uses of landscape, nostalgia and translation.
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|a Section 1: Nostalgia, Heritage and the Tourist Gaze; 1: Adapting Pagnol and Provence, Jeremy Strong; 2: 'A Tourist In Your Own Youth': Spatialised Nostalgia in T2: Trainspotting, Douglas McNaughton; 3: '200 miles outside London': The Tourist Gaze of Far from the Madding Crowd, Shelley Anne Galpin; Section 2: Radical Contingencies: Neglected Figures and Texts; 4: Reframing Performance: The British New Wave on Stage and Screen, Victoria Lowe; 5: Why We Do Not Adapt Jean Rhys, Sarah Artt; Section 3: Re-envisioning the National Imaginary; 6: 'To see oursels as ithers see us': textual, individual and national other-selves in Under the Skin, Robert Munro; 7: Back to the Future: Recalcitrance and Fidelity in Julieta, Michael Stewart; Section 4: The Local, the Global and the Cosmopolitan; 8: El Patrón del Mal, a national adaptation and Narcos precedent, Ernesto Pérez Morán; 9: Constructing Nationhood in a Transnational Context: BBC's 2016 War and Peace, Carol Poole and Ruxandra Trandafoiu; 10: The Beautiful Lie: Radical Recalibration and Nationhood, Yvonne Griggs; Section 5: Re-making, Translating: Dialogues Across Borders; 11: In Another Time and Place: Translating Gothic Romance in The Handmaiden, Chi-Yun Shin; 12: Chains of Adaptation: from D'entre les morts to Vertigo, La Jetée and Twelve Monkeys, Jonathan Evans; 13: A 'Double Take' on the Nation(al) in the Dutch-Flemish Monolingual Film Remake, Eduard Cuelenaere.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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650 |
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0 |
|a Film adaptations.
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650 |
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0 |
|a Motion pictures and literature.
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650 |
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0 |
|a Multiculturalism.
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650 |
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6 |
|a Adaptations cinématographiques.
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650 |
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|a Cinéma et littérature.
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650 |
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|a Multiculturalisme.
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650 |
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|a multiculturalism.
|2 aat
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650 |
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|a PERFORMING ARTS
|x Film & Video
|x Direction & Production.
|2 bisacsh
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650 |
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7 |
|a Film adaptations.
|2 fast
|0 (OCoLC)fst00924250
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650 |
|
7 |
|a Motion pictures and literature.
|2 fast
|0 (OCoLC)fst01027410
|
650 |
|
7 |
|a Multiculturalism.
|2 fast
|0 (OCoLC)fst01028836
|
700 |
1 |
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|a Stewart, Michael Patrick James,
|e editor.
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700 |
1 |
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|a Munro, Robert
|c (Film scholar),
|e editor.
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776 |
0 |
8 |
|i Print version:
|z 1474452035
|z 9781474452038
|w (OCoLC)1117547438
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv10kmdgq
|z Texto completo
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938 |
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|a ProQuest Ebook Central
|b EBLB
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