|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1148869330 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
200404t20202020ctua ob 001 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e rda
|e pn
|c EBLCP
|d JSTOR
|d EBLCP
|d YDXIT
|d UKAHL
|d HTM
|d N$T
|d SFB
|d OCLCQ
|d OCLCF
|d MM9
|d WAU
|d BRX
|d OCL
|d OCLCQ
|d OCLCO
|d OCLCQ
|
020 |
|
|
|a 9780300252507
|q (electronic book)
|
020 |
|
|
|a 0300252501
|q (electronic book)
|
020 |
|
|
|z 9780300228908
|q (hardcover)
|
029 |
1 |
|
|a AU@
|b 000067075562
|
029 |
1 |
|
|a AU@
|b 000069402198
|
035 |
|
|
|a (OCoLC)1148869330
|
037 |
|
|
|a 22573/ctvzpm6dd
|b JSTOR
|
050 |
|
4 |
|a PS3511.I9
|b G865 2020
|
072 |
|
7 |
|a LIT
|x 004020
|2 bisacsh
|
072 |
|
7 |
|a HIS
|x 036060
|2 bisacsh
|
072 |
|
7 |
|a HIS
|x 054000
|2 bisacsh
|
082 |
0 |
4 |
|a 813/.5209
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Marcus, Greil,
|e author.
|
245 |
1 |
0 |
|a Under the red white and blue :
|b patriotism, disenchantment and the stubborn myth of the Great Gatsby /
|c Greil Marcus.
|
264 |
|
1 |
|a New Haven :
|b Yale University Press,
|c [2020]
|
264 |
|
4 |
|c ©2020
|
300 |
|
|
|a 1 online resource (165 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
|
|a Subway -- A patriotic swerve -- A book everyone has heard of -- Reading the book -- The ferment -- At the movies -- "He too was a Great Gatsby" -- Fable.
|
588 |
0 |
|
|a Print version record.
|
520 |
|
|
|a A deep dive into how F. Scott Fitzgerald's vision of the American Dream has been understood, portrayed, distorted, misused, and kept alive Renowned critic Greil Marcus takes on the fascinating legacy of F. Scott Fitzgerald's The Great Gatsby. An enthralling parable (or a cheap metaphor) of the American Dream as a beckoning finger toward a con game, a kind of virus infecting artists of all sorts over nearly a century, Fitzgerald's story has become a key to American culture and American life itself. Marcus follows the arc of The Great Gatsby from 1925 into the ways it has insinuated itself into works by writers such as Philip Roth and Raymond Chandler; found echoes in the work of performers from Jelly Roll Morton to Lana Del Rey; and continued to rewrite both its own story and that of the country at large in the hands of dramatists and filmmakers from the 1920s to John Collins's 2006 Gatz and Baz Luhrmann's critically reviled (here celebrated) 2013 movie version--the fourth, so far.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
600 |
1 |
0 |
|a Fitzgerald, F. Scott
|q (Francis Scott),
|d 1896-1940.
|t Great Gatsby.
|
600 |
1 |
0 |
|a Fitzgerald, F. Scott
|q (Francis Scott),
|d 1896-1940
|x Criticism and interpretation.
|
600 |
1 |
7 |
|a Fitzgerald, F. Scott
|q (Francis Scott),
|d 1896-1940.
|2 fast
|0 (OCoLC)fst00030203
|
630 |
0 |
7 |
|a Great Gatsby (Fitzgerald, F. Scott)
|2 fast
|0 (OCoLC)fst01356680
|
650 |
|
0 |
|a American Dream.
|
650 |
|
6 |
|a Rêve américain.
|
650 |
|
7 |
|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
|
650 |
|
7 |
|a American Dream.
|2 fast
|0 (OCoLC)fst01738531
|
655 |
|
7 |
|a Literary criticism.
|2 fast
|0 (OCoLC)fst01986215
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Literary criticism.
|2 lcgft
|
655 |
|
7 |
|a Critiques littéraires.
|2 rvmgf
|
776 |
0 |
8 |
|i Print version:
|a Marcus, Greil.
|t Under the red, white and blue.
|d New Haven : Yale University Press, [2020]
|z 9780300228908
|w (OCoLC)1152045983
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvzpv6m6
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37347482
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6151541
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2417727
|
994 |
|
|
|a 92
|b IZTAP
|