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Beside the Bard : Scottish Lowland poetry in the age of Burns /

Beside the Bard argues that Scottish poetry in the age of Burns reclaims not a single past, dominated and overwritten by the unitary national language of an elite ruling class, but a past that conceptualizes the Scottish nation in terms of local self-identification, linguistic multiplicity, cultural...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Christian, George S. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lewisburg, Pennsylvania : Bucknell University Press, 2020.
Colección:Transits: literature, thought & culture, 1650-1850
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Christian, George S.,  |e author. 
245 1 0 |a Beside the Bard :  |b Scottish Lowland poetry in the age of Burns /  |c George S. Christian. 
264 1 |a Lewisburg, Pennsylvania :  |b Bucknell University Press,  |c 2020. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Transits: literature, thought & culture, 1650-1850 
588 0 |a Online resource; title from digital title page (viewed on December 22, 2020). 
505 0 0 |t Frontmatter --  |t CONTENTS --  |t Introduction --  |t 1 Burns's Ayrshire "Bardies": John Lapraik and David Sillar --  |t 2 Burns and the Women "Peasant" Poets: Janet Little and Isobel Pagan --  |t 3 Alexander Wilson and the Price of Radicalism --  |t 4 Lady Nairne: Burns's Jacobite Other --  |t 5 "In the Shadow of Burns": Robert Tannahill --  |t 6 Burns and the Jacobins: James Kennedy and Alexander Geddes --  |t Conclusion --  |t Acknowledgments --  |t Notes --  |t Bibliography --  |t Index --  |t ABOUT THE AUTHOR 
520 |a Beside the Bard argues that Scottish poetry in the age of Burns reclaims not a single past, dominated and overwritten by the unitary national language of an elite ruling class, but a past that conceptualizes the Scottish nation in terms of local self-identification, linguistic multiplicity, cultural and religious difference, and transnational political and cultural affiliations. This fluid conception of the nation may accommodate a post-Union British self-identification, but it also recognizes the instrumental and historically contingent nature of "Britishness." Whether male or female, loyalist or radical, literati or autodidacts, poets such as Alexander Wilson, Carolina Olyphant, Robert Tannahill, and John Lapraik, among others, adamantly refuse to imagine a single nation, British or otherwise, instead preferring an open, polyvocal field, on which they can stage new national and personal formations and fight new revolutions. In this sense, "Scotland" is a revolutionary category, always subject to creative destruction and reformation. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press 
504 |a Includes bibliographical references (pages [225]-242) and index. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a English poetry  |x Scottish authors  |x History and criticism. 
650 0 |a Scottish poetry  |y 18th century  |x History and criticism. 
651 0 |a Scotland  |x In literature. 
650 6 |a Poésie anglaise  |x Auteurs écossais  |x Histoire et critique. 
650 6 |a Poésie écossaise  |y 18e siècle  |x Histoire et critique. 
651 6 |a Écosse  |x Dans la littérature. 
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650 7 |a Literature  |2 fast 
650 7 |a Scottish poetry  |2 fast 
651 7 |a Scotland  |2 fast 
650 7 |a Schottland.  |2 gnd 
650 7 |a Lyrik  |2 gnd 
650 7 |a Englisch  |2 gnd 
651 7 |a Schottland  |2 gnd 
648 7 |a 1700-1799  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 |z 1-68448-182-1 
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