|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1147703633 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu|||unuuu |
008 |
200330s2020 enk ob 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e rda
|e pn
|c N$T
|d N$T
|d JSTOR
|d UKAHL
|d CAMBR
|d OCLCF
|d SFB
|d NLW
|d LUN
|d EBLCP
|d K6U
|d OCLCO
|d OCLCQ
|d UBY
|d OCLCQ
|d OCLCO
|d UKMGB
|d OCLCQ
|d OCLCA
|d OCLCO
|
015 |
|
|
|a GBC275434
|2 bnb
|
015 |
|
|
|a GBC0B5266
|2 bnb
|
016 |
7 |
|
|a 020558283
|2 Uk
|
016 |
7 |
|
|a 019870488
|2 Uk
|
019 |
|
|
|a 1148881955
|a 1171766444
|a 1289835739
|
020 |
|
|
|a 9781785272981
|q (electronic bk.)
|
020 |
|
|
|a 1785272985
|q (electronic bk.)
|
020 |
|
|
|a 9781785272998
|q (e-book)
|
020 |
|
|
|a 1785272993
|
020 |
|
|
|z 9781785272974
|
029 |
1 |
|
|a AU@
|b 000067075567
|
029 |
1 |
|
|a UKMGB
|b 020558283
|
029 |
1 |
|
|a DKDLA
|b 820120-katalog:9910051950405765
|
029 |
1 |
|
|a UKMGB
|b 019870488
|
035 |
|
|
|a (OCoLC)1147703633
|z (OCoLC)1148881955
|z (OCoLC)1171766444
|z (OCoLC)1289835739
|
037 |
|
|
|a 22573/ctvr12s48
|b JSTOR
|
050 |
|
4 |
|a PN45
|
072 |
|
7 |
|a LIT
|x 014000
|2 bisacsh
|
072 |
|
7 |
|a LIT
|x 011000
|2 bisacsh
|
072 |
|
7 |
|a LIT
|x 024050
|2 bisacsh
|
082 |
0 |
4 |
|a 801
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Oppenheimer, Paul,
|d 1939-2022,
|e author.
|
245 |
1 |
0 |
|a Poetry and freedom :
|b discoveries in aesthetics, 1985-2018 /
|c Paul Oppenheimer.
|
264 |
|
1 |
|a London :
|b Anthem Press,
|c 2020.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a [Anthem Studies in South Asian Literature, Aesthetics and Culture]
|
504 |
|
|
|a Includes bibliographical references and index.
|
588 |
0 |
|
|a Vendor-supplied metadata.
|
520 |
|
|
|a This book offers a ground-breaking exploration of the aesthetics of poetic freedom. The range is broad, from antiquity to the present and from Europe and the Middle East into the poetry of the English-speaking world. Revealing questions about the elusiveness of poetic freedom-what does the term actually mean?-are repeatedly tested against the accomplishments of major poets such as Whitman, Dickinson, Rilke, Dante and Virgil, and their public yet intensely private originality. The result is a fresh, and well-nigh revolutionary, way of seeing literary and modern history, or an initiation into the more striking gift of aesthetic freedom.
|
505 |
0 |
|
|a <Span data-sheets-value="{" data-sheets-userformat="{">Preface: Among the Nightmare Lovers of Hades; 1 Eliot as Revolutionary; 2 Goethe and Modernism: The Dream of Anachronism in Goethe's Roman Elegies; 3 Ezra Pound: The Solitary Volcano; 4 Does Time Exist?; 5 The Age of Authenticity: An American Poet in England; 6 Whitman and Wilde in Camden; 7 Dangerous Thoughts, Puzzling Responses; 8 Scaling the Wall; 9 Mass Death and Resurrection: Notes on Contemporary, Mostly American, Jewish Fiction; 10 Rilke, Einstein, Freud and the Orpheus Mystery; 11 Shrouds Aplenty (on poems of Janowitz, et al); 12 Ambushes of Amazement (on poems of Wakoski); 13 Dangerous and Steep (on poems of Jacobsen); 14 Small Touching Skill (on poems of Ponsot); 15 Language Mesh (on Paul Celan); 16 Sweet Extra (on poems of Cuddihy, Ray); 17 Maze of the Original (on translating poetry); 18 Approaching the Medieval Lyric; 19 Dark Passage (on poems of Stafford); 20 Mistress of Sorrows (on Ingeborg Bachmann); 21 The Innocence of a Mirror (on poems of Oliver); 22 Peskily Written (on Sade); 23 Is There Sex after Sappho?; 24 Saving One's Skin (on medieval poetry); 25 Brilliant White Shadow (on poems and prose of Saba); 26 Serpent's Tale (on Minoan archeology); 27 How Honest Was Cellini?; 28 The Poetry of No Compromises (on poems of Rehder); 29 Assigning Names (on poems of Nurkse); 30 History and Ethics: Bruni's History of Florence; 31 Virgil's Aeneid Made New (a translation by Robert Fagles); 32 Painting with Poetry (on the poems of Annie Boutelle); 33 Vampires and Freedom (on the work of Erik Butler); 34 How the West Learned to Read and Write: Silent Reading and the Invention of the Sonnet; List of Publications; Index.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Literature
|x Aesthetics.
|
650 |
|
6 |
|a Littérature
|x Esthétique.
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
|
650 |
|
7 |
|a Literature
|x Aesthetics
|2 fast
|
776 |
0 |
|
|z 1785272977
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvr33c61
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH36748560
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6145696
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2406431
|
994 |
|
|
|a 92
|b IZTAP
|