How to Watch Television /

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"We all have opinions about the television shows we watch, but television criticism is about much more than simply evaluating the merits of a particular show and deeming it 'good' or 'bad.' Rather, criticism uses the close examination of a television program to explore that...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Thompson, Ethan (Editor ), Mittell, Jason (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, [2020]
Edición:Second edition.
Temas:
Television programs > United States.
Television programs > Social aspects > United States.
Television programs > Political aspects > United States.
Émissions télévisées > États-Unis.
Émissions télévisées > Aspect social > États-Unis.
Émissions télévisées > Aspect politique > États-Unis.
Television programs
Television programs > Social aspects
United States
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Preface to the Second Edition
  • Introduction: An Owner's Manual for Television
  • Part I. TV FORM: Aesthetics and Style. Better Call Saul: The Prestige Spinoff / Jason Mittell
  • Empire: Fashioning Blackness / Racquel Gates
  • House: Narrative Complexity / Amanda D. Lotz
  • Looking: Smartphone Aesthetics / Hunter Hargraves
  • Mad Men: Visual Style / Jeremy G. Butler
  • Nip/Tuck: Popular Music / Ben Aslinger
  • One Life to Live: Soap Opera Storytelling / Abigail De Kosnik
  • The Sopranos: Episodic Storytelling / Sean O'Sullivan
  • Part II. TV REPRESENTATION: Social Identity and Cultural Politics. 24: Challenging Stereotypes / Evelyn Asultany
  • Bala Loca: Producing Representations / David Miranda Hardy
  • Being Mary Jane: Cultural Specificity / Kristen J. Warner
  • Buckwild: Performing Whiteness / Amanda Ann Klein
  • Glee/House Hunters International: Gay Narratives / Ron Becker
  • Grey's Anatomy: Feminism / Elana Levine
  • Master of None: Negotiated Decoding / Ritesh Mehta
  • Orange Is the New Black: Intersectional Analysis / Mary Celeste Kearney
  • Part III. TV POLITICS: Democracy, Nation, and the Public Interest. America's Next Top Model: Neoliberal Labor / Laurie Ouellette
  • The Amazing Race: Global Othering / Jonathan Gray
  • East Los High: Televised Empowerment / Mary Beltrán
  • The Eurovision Song Contest: Queer Nationalism / Anikó Imre
  • Fox & Friends: Political Talk / Jeffrey P. Jones
  • Full Frontal with Samantha Bee: Feminist Comedy / Amber Day
  • The Hunt with John Walsh: True Crime Storytelling / Amanda Keeler
  • Parks and Recreation: The Cultural Forum / Heather Hendershot
  • Part IV. TV INDUSTRY: Industrial Practices and Structures. The Ernie Kovacs Show: Historicizing Comedy / Ethan Thompson
  • Gilmore Girls: A Year in the Life: TV Revivals / Myles McNutt
  • I Love Lucy: The Writer-Producer / Miranda J. Banks
  • Modern Family: Product Placement / Kevin Sandler
  • Real Housewives of Beverly Hills: Franchising Femininity / Suzanne Leonard
  • Roseanne: Programming Flow / Taylor Cole Miller
  • Tales from the Crypt: Content Regulation / Luke Stadel
  • The Toy Box: Transmedia and Transgenerational Marketing / Derek Johnson
  • Part V. TV PRACTICES: Medium, Technology, and Everyday Life. Battlestar Galactica: Fans and Ancillary Content / Suzanne Scott
  • Everyday Italian: Cultivating Taste / Michael Z. Newman
  • Gossip Girl: Transmedia Technologies / Louisa Stein
  • High Maintenance and The Misadventures of Awkward Black Girl: Indie TV / Aymar Jean Christian
  • Monty Python's Flying Circus: Layered Comedy / Philip Scepanski
  • NFL Broadcasts: Interpretive Communities / Melissa A. Click, Holly Willson Holladay, and Amanda Nell Edgar
  • Pardon the Interruption: Sports Debate / Ethan Tussey
  • The Walking Dead: Adapting Comics / Henry Jenkins.

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