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British music after Britten /
By common consent the leading British composer of the twentieth-century's middle decades, Britten continues to create significant contexts for the work of those who survived and succeeded him.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Woodbridge, Suffolk ; Rochester, NY :
The Boydell Press,
2020.
|
| Colección: | Aldeburgh studies in music ;
v. 14. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Whittall, Arnold, |e author. | |
| 245 | 1 | 0 | |a British music after Britten / |c Arnold Whittall. |
| 264 | 1 | |a Woodbridge, Suffolk ; |a Rochester, NY : |b The Boydell Press, |c 2020. | |
| 300 | |a 1 online resource (xii, 338 pages) : |b illustrations, music. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
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| 490 | 1 | |a Aldeburgh studies in music ; |v volume 14 | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction: Britten and British music -- Tippett and twentieth-century polarities -- A voyage beyond romance : the music of Nicholas Maw -- Connections and constellations : Robin Holloway and Brian Ferneyhough -- Richard Barrett, Cornelius Cardew : resistance and reflection -- Shock waves : the musical elements of James Dillon -- Northern roots : John Casken, Hugh Wood, John McCabe -- Affirmative anger : James Clarke and the music of abstract expressionism -- Distressed surfaces : Morgan Hayes and twenty-first-century expressionism -- 'Into the breach' : Oliver Knussen in his time -- Rotations and reflections : the musical presence of George Benjamin -- Michael Finnissy's instrumental music drama -- The public and the personal : Birtwistle and Maxwell Davies at 80 -- Measures of authenticity : the macrotonal music of Julian Anderson -- From post-tonal to postmodern? : two string quartets by Joseph Phibbs -- The Ades effect -- Power, potential : Robert Simpson, Mark Simpson -- Michael Tippett and the modern musical citizen. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on May 21, 2020). | |
| 520 | |a By common consent the leading British composer of the twentieth-century's middle decades, Britten continues to create significant contexts for the work of those who survived and succeeded him. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 600 | 1 | 0 | |a Britten, Benjamin, |d 1913-1976 |x Influence. |
| 600 | 1 | 7 | |a Britten, Benjamin, |d 1913-1976. |2 fast |0 (OCoLC)fst00042564 |
| 650 | 0 | |a Music |z Great Britain |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music |z Great Britain |y 21st century |x History and criticism. | |
| 650 | 7 | |a Influence (Literary, artistic, etc.) |2 fast |0 (OCoLC)fst00972484 | |
| 650 | 7 | |a Music. |2 fast |0 (OCoLC)fst01030269 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |z 1783274972 |z 9781783274970 |w (OCoLC)1117637742 |
| 830 | 0 | |a Aldeburgh studies in music ; |v v. 14. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvrdf0z8 |z Texto completo |
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