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Women's Cinema, World Cinema Projecting Contemporary Feminisms /

In Women's Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Cla...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: White, Patricia, 1964-
Autor Corporativo: Project Muse
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a White, Patricia,  |d 1964- 
245 1 0 |a Women's Cinema, World Cinema  |h [electronic resource] :  |b Projecting Contemporary Feminisms /  |c Patricia White. 
260 |a Durham :  |b Duke University Press,  |c 2015.  |e (Baltimore, Md. :  |f Project MUSE,  |g 2015) 
300 |a 1 online resource (ix, 270 pages :)  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (pages 235-246) and index. 
504 |a Includes filmography. 
505 0 |a To each her own cinema : world cinema and the woman cineaste : Jane Campion's Cannes connections; Lucrecia Martel's vertiginous authorship; Samīrā Makhmalbāf's sororal cinema -- Framing feminisms : women's cinema as art cinema : Deepa Mehta's elemental feminism; Iranian diasporan women directors and cultural capital -- Feminist film in the age of the chick flick : global flows of women's cinema : engendering new Korean cinema in Jeong Jae-eun's Take care of my cat; Nadine Labaki's celebrity -- Network narratives : Asian women directors two-timing the system in Nia Dinata's Love for share -- Zero Chou and the spaces of Chinese lesbian film -- Is the whole world watching? Fictions of women's human rights : Sabiha Sumar's Democratic cinema; Jasmila Žbanić's Grbavica and Balkan cinema's incommensurable gazes; Claudia Llosa's Trans/national address. 
588 |a Description based on print version record. 
520 |a In Women's Cinema, World Cinema, Patricia White explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and receptio. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Motion pictures and women. 
650 0 |a Feminism and motion pictures. 
650 0 |a Women motion picture producers and directors. 
650 6 |a Cinéma et femmes. 
650 6 |a Féminisme et cinéma. 
650 6 |a Productrices et réalisatrices de cinéma. 
650 7 |a filmmakers.  |2 aat 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism  |2 bisacsh 
650 7 |a Feminism and motion pictures  |2 fast 
650 7 |a Motion pictures and women  |2 fast 
650 7 |a Women motion picture producers and directors  |2 fast 
710 2 |a Project Muse. 
830 0 |a Book collections on Project MUSE. 
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