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|a 801.95
|2 23
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|a UAMI
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|a Creative criticism :
|b an anthology and guide /
|c edited by Stephen Benson and Clare Connors.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2014]
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|c ©2014
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|a 1 online resource (ix, 296 pages) :
|b illustrations
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|a text
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|a online resource
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|a Includes bibliographical references and index.
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|a Roland Barthes, from A 'Lover's Discourse: Fragments' -- John Cage, from 'Where Are We Going? And What Are We Doing' -- Anne Carson, 'Every Exit is an Entrance (A Praise of Sleep)' -- Hélène Cixous, 'Without end, no, State of drawingness, no, rather: The Executioner's taking off' -- Jacques Derrida, 'Aphorism Countertime' -- Geoff Dyer, from 'Out of Sheer Rage: In the Shadow of D.H. Lawrence' -- Benjamin Friedlander, 'Gertrude Stein: A Retrospective Criticism' -- Peter Gizzi, 'Correspondences of the Book' -- Kevin Kopelson, 'Music Lessons' -- Denise Riley, 'Lyric Selves' -- Eve Kosofsky Sedgwick, 'Jane Austen and the Masturbating Girl' -- Ali Smith, 'Green' -- John Wilkinson, 'Imperfect Pitch' -- Sarah Wood, 'Anew Again'.
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|a "Including pieces by creative critics as varied as Anne Carson, Jacques Derrida, Geoff Dyer, Hélène Cixous, Ali Smith, and John Cage, this anthology and guide celebrates the formal and intellectual inventiveness of works which also demonstrate a deep fidelity to the writing or art they address. The Anthology is of interest to all students, teachers and critics of literature and creative writing, and especially those students who are required to write critical essays. All 14 texts included respond innovatively to the question: How do we write criticism? As examples of academic critical writing they are all sympathetic to works whose aim is to change the ways in which we see and describe our world."--
|c Provided by publisher.
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|a Stephen Benson and Clare Connors teach in the School of Literature, Drama and Creative Writing at the University of East Anglia.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Criticism.
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|a Literature
|x History and criticism
|x Theory, etc.
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|a Critique.
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|a Littérature
|x Histoire et critique
|x Théorie, etc.
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|a literary criticism.
|2 aat
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|a criticism.
|2 aat
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|a LANGUAGE ARTS & DISCIPLINES
|x Composition & Creative Writing.
|2 bisacsh
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|a Criticism
|2 fast
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|a Literature
|x Theory, etc.
|2 fast
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|a Literaturkritik
|2 gnd
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|a Litteraturkritik.
|2 sao
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|a Criticism, interpretation, etc.
|2 fast
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|a Benson, Stephen,
|d 1969-
|e editor.
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1 |
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|a Connors, Clare,
|e editor.
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1 |
2 |
|a Barthes, Roland.
|t Lover's discourse, fragments.
|
700 |
1 |
2 |
|a Cage, John.
|t Where are we going? And what are we doing?
|
700 |
1 |
2 |
|a Carson, Anne,
|d 1950-
|t Decreation.
|
700 |
1 |
2 |
|a Cixous, Hélène,
|d 1937-
|t Essays.
|k Selections.
|l English.
|
700 |
1 |
2 |
|a Derrida, Jacques.
|t Acts of literature.
|
700 |
1 |
2 |
|a Dyer, Geoff.
|t Out of sheer rage.
|
700 |
1 |
2 |
|a Friedlander, Benjamin,
|d 1959-
|t Simulcast, four experiments in criticism.
|
700 |
1 |
2 |
|a Kopelson, Kevin,
|d 1960-
|t Beethoven's kiss.
|
700 |
1 |
2 |
|a Riley, Denise,
|d 1948-
|t Words of selves.
|
700 |
1 |
2 |
|a Wood, Sarah,
|d 1963-
|t Blue guitar.
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730 |
0 |
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|a Poetics of criticism.
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730 |
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|a Poets on writing, Britain, 1970-1991.
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776 |
0 |
8 |
|i Print version:
|t Creative criticism.
|d Edinburgh : Edinburgh University Press, ©2014
|z 9780748674329
|w (DLC) 2013456531
|w (OCoLC)857109456
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctvxcrhp6
|z Texto completo
|
938 |
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