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Peculiar attunements : how affect theory turned musical /
"Peculiar Attunements places the recent turn to affect into conversation with an earlier affective turn that took place in European music theory of the eighteenth century. It offers a new way of thinking through affect historically and dialectically, drawing attention to repeating patterns and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Fordham University Press,
[2020]
|
| Edición: | First edition. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Grant, Roger Mathew, |e author. | |
| 245 | 1 | 0 | |a Peculiar attunements : |b how affect theory turned musical / |c Roger Mathew Grant. |
| 250 | |a First edition. | ||
| 264 | 1 | |a New York : |b Fordham University Press, |c [2020] | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (1 volume) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a "Peculiar Attunements places the recent turn to affect into conversation with an earlier affective turn that took place in European music theory of the eighteenth century. It offers a new way of thinking through affect historically and dialectically, drawing attention to repeating patterns and problems in affect theory's history"-- |c Provided by publisher. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Notes on orthography and translation -- |t Introduction -- |t 1. Eighteenth-century opera and the mimetic affektenlehre -- |t 2. Comic opera: Mimesis exploded -- |t 3. "Sonate, que me veux-tu?" and other dilemmas of instrumental music -- |t 4. The attunement affektenlehre -- |t Coda: affect after the affektenlehre -- |t Acknowledgments -- |t Bibliography -- |t Index |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Doctrine of the affections. | |
| 650 | 0 | |a Music |x Physiological effect. | |
| 650 | 0 | |a Emotions in music. | |
| 650 | 0 | |a Mimesis in music. | |
| 650 | 0 | |a Music |z Europe |y 18th century |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |x Effets physiologiques. | |
| 650 | 6 | |a Mimêsis dans la musique. | |
| 650 | 7 | |a MUSIC / Philosophy & Social Aspects. |2 bisacsh | |
| 650 | 7 | |a Doctrine of the affections |2 fast | |
| 650 | 7 | |a Emotions in music |2 fast | |
| 650 | 7 | |a Mimesis in music |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 650 | 7 | |a Music |x Physiological effect |2 fast | |
| 651 | 7 | |a Europe |2 fast | |
| 648 | 7 | |a 1700-1799 |2 fast | |
| 653 | |a Aesthetics. | ||
| 653 | |a Affect. | ||
| 653 | |a Attunement. | ||
| 653 | |a Emotions. | ||
| 653 | |a Hegel. | ||
| 653 | |a Music Theory. | ||
| 653 | |a Opera. | ||
| 653 | |a Rameau. | ||
| 653 | |a Rousseau. | ||
| 653 | |a Sound. | ||
| 776 | 0 | 8 | |i Print version: |a Grant, Roger Mathew. |t Peculiar Attunements. |d New York : Fordham University Press, 2020 |w (DLC) 2019955796 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvxrpzdh |z Texto completo |
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