|
|
|
|
| LEADER |
00000cam a2200000 i 4500 |
| 001 |
JSTOR_on1143754258 |
| 003 |
OCoLC |
| 005 |
20231005004200.0 |
| 006 |
m o d |
| 007 |
cr cnu---unuuu |
| 008 |
200309t20202020nyu o 000 0 eng d |
| 040 |
|
|
|a YDX
|b eng
|e rda
|e pn
|c YDX
|d JSTOR
|d YDXIT
|d OCLCQ
|d OCLCO
|d OCLCF
|d YDX
|d OCLCO
|d EBLCP
|d OCL
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCA
|d OCLCO
|
| 019 |
|
|
|a 1144875060
|a 1148373195
|a 1150068077
|
| 020 |
|
|
|a 0823287432
|q (electronic book)
|
| 020 |
|
|
|a 9780823287437
|q (electronic book)
|
| 029 |
1 |
|
|a AU@
|b 000066903592
|
| 035 |
|
|
|a (OCoLC)1143754258
|z (OCoLC)1144875060
|z (OCoLC)1148373195
|z (OCoLC)1150068077
|
| 037 |
|
|
|a 22573/ctvns08pr
|b JSTOR
|
| 050 |
|
4 |
|a PN1995.9.E96
|b Y6 2020
|
| 060 |
|
4 |
|a 791.43 Y78
|
| 072 |
|
7 |
|a ART
|x 057000
|2 bisacsh
|
| 072 |
|
7 |
|a SOC
|x 052000
|2 bisacsh
|
| 072 |
|
7 |
|a SCI
|x 064000
|2 bisacsh
|
| 080 |
|
|
|a 706.5
|
| 082 |
0 |
4 |
|a 791.43
|2 23
|
| 084 |
|
|
|a 53.78
|2 bcl
|
| 084 |
|
|
|a AP 53970
|2 rvk
|
| 049 |
|
|
|a UAMI
|
| 100 |
1 |
|
|a Youngblood, Gene,
|e author.
|
| 245 |
1 |
0 |
|a Expanded cinema /
|c Gene Youngblood ; introduction by R. Buckminster Fuller.
|
| 250 |
|
|
|a Fiftieth anniversary edition.
|
| 264 |
|
1 |
|a New York :
|b Fordham University Press,
|c 2020.
|
| 264 |
|
4 |
|c ©2020
|
| 300 |
|
|
|a 1 online resource
|
| 336 |
|
|
|a text
|b txt
|2 rdacontent
|
| 337 |
|
|
|a computer
|b c
|2 rdamedia
|
| 338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
| 490 |
1 |
|
|a Meaning Systems Ser.
|
| 588 |
0 |
|
|a Online resource; title from digital title page (viewed on April 20, 2020).
|
| 505 |
0 |
|
|a Inexorable evolution and human ecology / R. Buckminster Fuller -- pt. 1. The audience and the myth of entertainment : Radical evolution and future shock in the paleocybernetic age ; The intermedia network as nature ; Popular culture and the noosphere ; Art, entertainment, entropy ; Retrospective man and the human condition ; The artist as design scientist -- pt. 2. Synaesthetic cinema: the end of drama : Global closed circuit: the earth as software ; Synaesthetic synthesis: simultaneous perception of harmonic opposites ; Syncretism and metamorphosis: montage as collage ; Evocation and exposition: toward oceanic consciousness ; Synaesthetics and kinaesthetics: the way of all experience ; Mythopoeia: the end of fiction ; Synaesthetics and synergy ; Synaesthetic cinema and polymorphous eroticism ; Synaesthetic cinema and extra-objective reality ; Image-exchange and the post-mass audience age -- pt. 3. Toward cosmic consciousness : 2001: the new nostalgia ; The Stargate Corridor ; The cosmic cinema of Jordan Belson -- pt. 4. Cybernetic cinema and computer films : The technosphere: man/machine symbiosis ; The human bio-computer and his electronic brainchild ; Hardware and software ; The aesthetic machine ; Cybernetic cinema ; Computer films -- pt. 5. Television as a creative medium : The videosphere ; Cathode-ray tube videotronics ; Synaesthetic videotapes ; Videographic cinema ; Closed-circuit television and teledynamic environments -- pt. 6. Intermedia : The artist as ecologist ; World expositions and nonordinary reality ; Cerebrum: intermedia and the human sensorium ; Intermedia theatre ; Multiple-projection environments -- pt. 7. Holographic cinema: a new world : Wave-front reconstruction: lensless photography ; Dr. Alex Jacobson: holography in motion ; Limitations of holographic cinema ; Projecting holographic movies ; The kinoform: computer-generated holographic movies ; Technoanarchy: the open empire.
|
| 590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
| 590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
| 590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
| 600 |
1 |
7 |
|a McLuhan, Marshall
|d 1911-1980
|2 gnd
|
| 630 |
0 |
7 |
|a Bibel
|p Philemonbrief
|2 gnd
|
| 650 |
|
0 |
|a Experimental films
|x History and criticism.
|
| 650 |
|
0 |
|a Motion pictures.
|
| 650 |
|
0 |
|a Cinematography.
|
| 650 |
|
2 |
|a Motion Pictures
|
| 650 |
|
6 |
|a Films expérimentaux
|x Histoire et critique.
|
| 650 |
|
6 |
|a Cinéma.
|
| 650 |
|
7 |
|a cinematography.
|2 aat
|
| 650 |
|
7 |
|a ART
|x Film & Video.
|2 bisacsh
|
| 650 |
|
7 |
|a Cinematography
|2 fast
|
| 650 |
|
7 |
|a Experimental films
|2 fast
|
| 650 |
|
7 |
|a Motion pictures
|2 fast
|
| 650 |
|
7 |
|a Computerfilm
|2 gnd
|
| 650 |
1 |
7 |
|a Amusement.
|2 gtt
|
| 650 |
1 |
7 |
|a Beeldcultuur.
|2 gtt
|
| 650 |
1 |
7 |
|a Beeldcommunicatie.
|2 gtt
|
| 650 |
|
7 |
|a Cinema experimental.
|2 larpcal
|
| 650 |
|
7 |
|a Fotografia cinematográfica.
|2 larpcal
|
| 655 |
|
7 |
|a Experimental films
|2 fast
|
| 655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|
| 655 |
|
7 |
|a Experimental films.
|2 lcgft
|
| 655 |
|
7 |
|a Films expérimentaux.
|2 rvmgf
|
| 776 |
0 |
8 |
|i Print version:
|a Youngblood, Gene.
|t Expanded Cinema : Fiftieth Anniversary Edition.
|d New York : Fordham University Press, ©2020
|
| 830 |
|
0 |
|a Meaning Systems Ser.
|
| 856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvnwbz7q
|z Texto completo
|
| 938 |
|
|
|a YBP Library Services
|b YANK
|n 301145150
|
| 994 |
|
|
|a 92
|b IZTAP
|
