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|z 1783274565
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|b JSTOR
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|a 781.45094109032
|2 23
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|a UAMI
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|a Holman, Peter,
|d 1946-
|e author.
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|a Before the baton :
|b musical direction and conducting in Stuart and Georgian Britain /
|c Peter Holman.
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|a Woodbridge, Suffolk, UK :
|b The Boydell Press,
|c 2020.
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|a 1 online resource (xxiii, 405 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Music In Britain 1600-1900,
|x 2053-3217
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|a This book investigates the ways large-scale music was directed or conducted in Britain before baton conducting took hold in the 1830s. Includes 50 black & white illustrations.
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|a Includes bibliographical references (pages 357-386) and index.
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|a Print version record.
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|a Frontcover -- Contents -- List of Illustrations -- Foreword -- Acknowledgements -- Note to the Reader -- List of Abbreviations -- Prelude. To Beat or Not to Beat: The Continental Context -- Part I. Directing Choral Music -- 1 'Heard but not Seen': Leading Anglican Cathedral Music from the Organ -- 2 'With a Scroll of Parchment or Paper, in Hand': Large- Scale Choral Music -- 3 'Accompanied all along on the Organ by his Own Inimitable Hand': Handel and the Direction of his Oratorios -- 4 'The Conductor at the Organ': The Oratorio Tradition after Handel
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|a Part II. Directing Opera and Theatre Music -- 5 'That Ridiculous Custom': From Devolved Direction to Centralized Time-Beating in Seventeenth-Century Theatre Music -- 6 'Il maestro al cembalo': Directing Opera and Theatre Music from the Harpsichord -- 7 'A New Discipline and a New Style of Playing': Directing Opera and Theatre Music from the Violin -- 8 'That Powerful Sovereign, the Conductor': From the Piano to the Rostrum -- Postlude. Superconductors or Semiconductors? Lessons for Today -- Bibliography -- Index
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|a How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Conducting
|z Great Britain
|x History
|y 17th century.
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650 |
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|a Conducting
|z Great Britain
|x History
|y 18th century.
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650 |
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|a Music
|z Great Britain
|y 17th century
|x History and criticism.
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650 |
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|a Music
|z Great Britain
|y 18th century
|x History and criticism.
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650 |
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|a Direction musicale
|z Grande-Bretagne
|x Histoire
|y 17e siècle.
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650 |
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|a Direction musicale
|z Grande-Bretagne
|x Histoire
|y 18e siècle.
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650 |
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|a Musique
|z Grande-Bretagne
|y 17e siècle
|x Histoire et critique.
|
650 |
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|a Musique
|z Grande-Bretagne
|y 18e siècle
|x Histoire et critique.
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650 |
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|a MUSIC
|x Instruction & Study
|x Conducting.
|2 bisacsh
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|a Conducting
|2 fast
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|a Music
|2 fast
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|a Great Britain
|2 fast
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|a 1600-1799
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|a Holman, Peter.
|t Before the baton.
|d Woodbridge : Boydell & Brewer, 2020
|z 1783274565
|w (OCoLC)1139889193
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830 |
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0 |
|a Music in Britain, 1600-1900.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvktrxg5
|z Texto completo
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH37283466
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6130496
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938 |
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|a EBSCOhost
|b EBSC
|n 2178219
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994 |
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|a 92
|b IZTAP
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