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Indonesian cinema after the new order : going mainstream /
"In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to internat...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
HKU Press,
[2019]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Barker, Thomas |q (Thomas Alexander Charles), |e author. | |
| 245 | 1 | 0 | |a Indonesian cinema after the new order : |b going mainstream / |c Thomas Barker. |
| 264 | 1 | |a Hong Kong : |b HKU Press, |c [2019] | |
| 300 | |a 1 online resource (vii, 234 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture. | |
| 520 | |a "In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This 'going mainstream' paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because 'going mainstream' has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped."-- |c Provided by publisher | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion pictures |z Indonesia |x History. | |
| 650 | 0 | |a Motion picture industry |z Indonesia |x History. | |
| 650 | 6 | |a Cinéma |z Indonésie |x Histoire. | |
| 650 | 6 | |a Cinéma |x Industrie |z Indonésie |x Histoire. | |
| 650 | 7 | |a Motion picture industry |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 651 | 7 | |a Indonesia |2 fast | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Barker, Thomas. |t Indonesian cinema after the new order. |d Hong Kong : HKU Press, [2019] |z 9789888528073 |w (OCoLC)1121092980 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvx1hwf2 |z Texto completo |
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| 938 | |a YBP Library Services |b YANK |n 16603739 | ||
| 994 | |a 92 |b IZTAP | ||