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The meaning of soul : Black music and resilience since the 1960s /
"THE MEANING OF SOUL discusses Black resilience and innovation through soul music and soul logic. Emily Lordi analyzes soul music and musicians from the 1960s, the 1970s, and after, bridging the different valences of soul as a way of moving through the world. The book encompasses soul's ra...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
[2020]
|
| Colección: | Refiguring American music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 049 | |a UAMI | ||
| 100 | 1 | |a Lordi, Emily J., |d 1979- |e author. | |
| 245 | 1 | 4 | |a The meaning of soul : |b Black music and resilience since the 1960s / |c Emily J. Lordi. |
| 264 | 1 | |a Durham : |b Duke University Press, |c [2020] | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (x, 217 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 386 | |m Gender group: |n gdr |a Women |2 lcdgt | ||
| 386 | |m Nationality/regional group: |n nat |a Americans |2 lcdgt | ||
| 386 | |m Occupational/field of activity group: |n occ |a University and college faculty members |2 lcdgt | ||
| 490 | 1 | |a Refiguring American music | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a From soul to post-soul : a literary and musical history -- We shall overcome, shelter, and veil : soul covers -- Rescripted relations : soul ad-libs -- Emergent interiors : soul falsettos -- Never catch me : false endings from soul to post-soul -- Conclusion. "I'm tired of Marvin asking me what's going on" : soul legacies and the work of Afropresentism. | |
| 520 | |a "THE MEANING OF SOUL discusses Black resilience and innovation through soul music and soul logic. Emily Lordi analyzes soul music and musicians from the 1960s, the 1970s, and after, bridging the different valences of soul as a way of moving through the world. The book encompasses soul's racial-political meanings while being sensitive to the details of the music and small details that shaped artists' lives and their relationship to soul. Chapter 1 is about the relationship of soul and jazz music, tracing soul's emergence in the late 1960s as a mode that underscored the redemptive possibilities of Black suffering. Lordi describes how soul music channeled the styles and techniques of the church into secular lyrical content, while soul discourse simultaneously drafted religious logic into a secular faith in collective redemption. Chapter 2 is about how soul artists transformed expressive deprivation into musical abundance by crafting innovative covers of other artists' songs. Landmark covers of this type propelled many soul artists, including Nina Simone and Aretha Franklin, into the spotlight, their displacement turned into stylized survivorship. In chapter 3, Lordi unpacks jazz improvisation and soul adlibs as performing a hard-won achievement of self-trust, trusting oneself enough to break with destructive or stifling conventions. Chapter 4 extends inquiry into the performative relationships with self and others discussed in the previous chapter, by exploring a deeper sense of interiority and a broader scope of sociality as enacted through falsetto vocals. Lordi talks about soul falsettos as used by Ann Peebles, Al Green, Isaac Hayes, and Minnie Riperton, and the ways falsetto signifies different things contextually. Lordi ends the book with a chapter on false endings - bringing the song to a close before striking it up again - symbolizing soul's message of Black group resilience, not a matter of stasis, but of change. The false ending signals the endurance necessary to keep changing, not only oneself, but one's surroundings. Through the close attention to vocal and musical details, as well as to singers beyond the familiar and mostly male stars, Lordi retells the much-told story of soul in a new and rich way. This book will be of interest to general readers and scholars in African American studies, American studies, Black diaspora studies, popular music, and critical theory"-- |c Provided by publisher | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on August 10, 2020). | |
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified]: |c HathiTrust Digital Library. |d 2021. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 546 | |a In English. | ||
| 583 | 1 | |a digitized |c 2021. |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Soul music |x History and criticism. | |
| 650 | 0 | |a Soul musicians. | |
| 650 | 0 | |a African Americans |x Music |x History and criticism. | |
| 650 | 0 | |a Music and race |z United States |x History |y 20th century. | |
| 650 | 0 | |a Popular music |z United States |x History and criticism. | |
| 650 | 6 | |a Musique et race |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Musique populaire |z États-Unis |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Soul & R 'n B. |2 bisacsh | |
| 650 | 7 | |a African Americans |x Music |2 fast | |
| 650 | 7 | |a Music and race |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
| 650 | 7 | |a Soul music |2 fast | |
| 650 | 7 | |a Soul musicians |2 fast | |
| 651 | 7 | |a United States |2 fast | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Lordi, Emily J., 1979- |t Meaning of soul. |d Durham : Duke University Press, 2020 |z 9781478008699 |w (DLC) 2019057426 |
| 830 | 0 | |a Refiguring American music. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv14t48fd |z Texto completo |
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