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Grant Wood's secrets /
Incorporating copious archival research and original close readings of American artist Grant Wood's iconic as well as lesser-known works, Grant Wood's Secrets reveals how his sometimes anguished psychology was shaped by his close relationship with his mother and how he channeled his lifelo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Newark, Delaware :
University of Delaware Press,
2020.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Taylor, Sue, |d 1949- |e author. | |
| 245 | 1 | 0 | |a Grant Wood's secrets / |c Sue Taylor. |
| 264 | 1 | |a Newark, Delaware : |b University of Delaware Press, |c 2020. | |
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| 588 | 0 | |a Online resource; title from PDF title page (EBSCO, viewed February 06, 2020). | |
| 504 | |a Includes bibliographical references (pages 311-315) and index. | ||
| 505 | 0 | |a List of illustrations -- Acknowledgments -- Introduction -- Chapter 1: A family affair -- Chapter 2: Fear and desire -- Chapter 3: Queer habits of dissembling -- Chapter 4: The ground itself -- Appendix: "Return from Bohemia" -- Chronology -- Endnotes -- Bibliography -- Index. | |
| 520 | |a Incorporating copious archival research and original close readings of American artist Grant Wood's iconic as well as lesser-known works, Grant Wood's Secrets reveals how his sometimes anguished psychology was shaped by his close relationship with his mother and how he channeled his lifelong oedipal guilt into his art. Presenting Wood's abortive autobiography "Return from Bohemia" for the first time ever, Sue Taylor integrates the artist's own recollections into interpretations of his art. As Wood dressed in overalls and boasted about his beloved Midwest, he consciously engaged in regionalist strategies, performing a farmer masquerade of sorts. In doing so, he also posed as conventionally masculine, hiding his homosexuality from his rural community. Thus, he came to experience himself as a double man. This book conveys the very real threats under which Wood lived and pays tribute to his resourceful responses, which were often duplicitous and have baffled art historians who typically take them at face value | ||
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