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In fading light : the films of the Amber Collective /

"For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society. Situating their acclaimed output within wider social...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Leggott, James (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Berghahn, 2020.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Leggott, James,  |e author. 
245 1 0 |a In fading light :  |b the films of the Amber Collective /  |c James Leggott. 
263 |a 2004 
264 1 |a New York :  |b Berghahn,  |c 2020. 
300 |a 1 online resource 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b n  |2 rdamedia 
338 |a online resource  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references, filmography, and index. 
505 0 |a Histories of Amber -- Salvaging the past, 1968 to 1980 -- Can't beat it alone : current affairs and investigations, 1982 to 1988 -- The Sirkka-Liisa Konttinen films, 1983 to 1994 -- Dream on : drama features, 1981 to 1991 -- From the Tyne to the coalfields : feature films, 1995 to 2005 -- Still here : Amber in the twenty-first century -- Conclusion. Amber at fifty. 
520 |a "For over five decades, the Newcastle-based Amber Film and Photography Collective has been a critical (if often unheralded) force within British documentary filmmaking, producing a variety of innovative works focused on working-class society. Situating their acclaimed output within wider social, political, and historical contexts, In Fading Light provides an accessible introduction to Amber's output in both national and transnational perspectives, including experimental, low-budget documentaries in the 1970s; more prominent feature films in the 1980s; studies of post-industrial life in the 1990s; and the distinctive perils and opportunities posed by the digital era"--  |c Provided by publisher. 
588 |a Description based on print version record and CIP data provided by publisher; resource not viewed. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
610 2 0 |a Amber Film & Photography Collective. 
650 0 |a Documentary films  |z Great Britain  |x History and criticism. 
650 0 |a Motion picture studios  |z Great Britain  |x History. 
650 6 |a Studios de cinéma  |z Grande-Bretagne  |x Histoire. 
650 6 |a Documentaires  |z Grande-Bretagne  |x Histoire et critique. 
650 7 |a ART / Film & Video.  |2 bisacsh 
650 7 |a Documentary films  |2 fast 
650 7 |a Motion picture studios  |2 fast 
651 7 |a Great Britain  |2 fast 
653 |a amber film and photography collective. 
653 |a britain. 
653 |a british documentary. 
653 |a british film history. 
653 |a camera. 
653 |a coffee table book. 
653 |a digital era. 
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653 |a experimental film. 
653 |a feature film. 
653 |a film and photography. 
653 |a film. 
653 |a filmmaking. 
653 |a historical contexts. 
653 |a history. 
653 |a low budget documentary. 
653 |a media studies. 
653 |a post-industrial life. 
653 |a psychology. 
653 |a sociology. 
653 |a stunning photography. 
653 |a transnational perspective. 
653 |a transnationalism. 
653 |a video. 
653 |a visual art. 
653 |a working class. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Leggott, James.  |t In fading light  |d New York : Berghahn, 2020.  |z 9781789206500  |w (DLC) 2020002402 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1tbhqsk  |z Texto completo 
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