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Glitter up the dark : how pop music broke the binary /
"Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin :
University of Texas Press,
2020.
|
| Edición: | First edition. |
| Colección: | American music series (Austin, Tex.)
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | JSTOR_on1136962224 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 200118t20202020txu ob 001 0 eng d | ||
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| 020 | |a 1477320830 |q (electronic book) | ||
| 020 | |a 9781477320839 |q (electronic bk.) | ||
| 029 | 1 | |a AU@ |b 000068571602 | |
| 035 | |a (OCoLC)1136962224 | ||
| 037 | |a 85E5A779-7D5B-4339-AD6D-9770A9148F35 |b OverDrive, Inc. |n http://www.overdrive.com | ||
| 037 | |a 22573/ctv2dmk6tv |b JSTOR | ||
| 050 | 4 | |a ML3470 |b .G44 2020 | |
| 072 | 7 | |a MUS |x 029000 |2 bisacsh | |
| 072 | 7 | |a SOC |x 032000 |2 bisacsh | |
| 082 | 0 | 4 | |a 781.64086/7 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Geffen, Sasha, |e author. | |
| 245 | 1 | 0 | |a Glitter up the dark : |b how pop music broke the binary / |c Sasha Geffen. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Austin : |b University of Texas Press, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (viii, 254 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a American music series | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. An Alternate Ribbon of Time -- Screaming the Beatles: The First Boy Band Breaks the Gender Mold -- Oh! You Pretty Things: The Glitter Revolution -- Whining Is Gender Neutral: Punk's Adolescent Escapism -- Wreckers of Civilization: Post-punk, Goth, and Industrial -- Soft Machines: Women, Cyborgs, and Electronic Music -- Not a Woman, Not a Man: Prince's Sapphic Androgyny -- The Fake Makes It Real: Synthpop and MTV -- Infinite Utopia: Queer Time in Disco and House -- Funky Cyborgs: Time, Technology, and Gender in Hip-Hop -- Butch Throats: Women's Music and Riot Grrrl -- God Is Gay: The Grunge Eruption -- No Shape: The Formless Internet -- Coda: Whole New World | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on April 02, 2020). | |
| 520 | |a "Is our love of pop music innately queer? That's the question Sasha Geffen answers--with a "yes," of course--in this book. Beginning with the Beatles and moving to the present, Geffen identifies artists of all stripes who performed "outside the limitations of their assigned genders." This includes not only trans artists like Wendy Carlos, or openly gender-bending artists like David Bowie and Prince, but ostensibly cis and hetero artists whose work and performance complicate the binary. This musical androgyny, they argue, is the result of different factors at different points in the timeline, but the flexibility of the human voice in pop music emerges as the most consistent form of expression. Geffen continues right up to the present, covering the origins of House and disco in gay clubs and the utopia of the dance floor, the genderless technology of hip-hop and artists like Missy Elliott who embody masculine virtues"-- |c Provided by publisher | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Gender identity in music. | |
| 650 | 0 | |a Sex role in music. | |
| 650 | 0 | |a Popular music |x History and criticism. | |
| 650 | 6 | |a Identité de genre dans la musique. | |
| 650 | 6 | |a Rôle selon le sexe dans la musique. | |
| 650 | 6 | |a Musique populaire |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a Gender identity in music. |2 fast |0 (OCoLC)fst00939609 | |
| 650 | 7 | |a Popular music. |2 fast |0 (OCoLC)fst01071422 | |
| 650 | 7 | |a Sex role in music. |2 fast |0 (OCoLC)fst01200999 | |
| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Geffen, Sasha. |t Glitter up the Dark : How Pop Music Broke the Binary. |d Austin : University of Texas Press, ©2020 |z 9781477318782 |
| 830 | 0 | |a American music series (Austin, Tex.) | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7560/318782 |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38419392 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6012502 | ||
| 938 | |a EBSCOhost |b EBSC |n 2352218 | ||
| 994 | |a 92 |b IZTAP | ||