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A guru's journey : pandit Chitresh Das and Indian classical dance in diaspora.

"An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to art...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Morelli, Sarah, 1972- (Autor)
Otros Autores: Das, Chitresh
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2019]
Colección:Music in American life.
Temas:
Acceso en línea:Texto completo

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504 |a Includes bibliographical references (pages 210-225) and index. 
520 |a "An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from the broader cultural contexts. 'A Guru's Journey' provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates topics in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiated questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these discussions for readers with the goal of deepening their knowledge of kathak aesthetics, techniques, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance."--The cover 
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505 0 |a Cover -- Title -- Copyright -- Contents -- List of Illustrations -- Note on Transliteration and Pronunciation -- Note on Names and Honorifics -- Note on Musical Notation -- Acknowledgments -- 1 Encountering the Dance -- 2 Dancing History -- 3 On the American Stage -- 4 Teaching in a New Country -- 5 Dancing Gender -- 6 Dancing Unity, Articulating Difference -- 7 Form and Freedom in Kathak Performance -- 8 Coming Full Circle -- Notes -- Appendix: Persons Interviewed by the Author -- Glossary of Terms -- Bibliography -- Index -- Back Cover 
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