Cargando…
Theater of state : a dramaturgy of the United Nations /
"Theater of State is a study of performance at the United Nations and other international institutions. Ball uses theater theory to analyze the acts of diplomats and the political interventions made by performing artists"--
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Evanston, Illinois :
Northwestern University Press,
[2020]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1134571960 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 191227s2020 ilua ob 001 0 eng d | ||
| 040 | |a YDX |b eng |e rda |e pn |c YDX |d YDXIT |d EBLCP |d JSTOR |d OCLCF |d P@U |d K6U |d OCLCQ |d MM9 |d OCLCQ |d OCLCO |d N$T |d IAI |d OCLCO |d OCLCQ |d OCLCO | ||
| 019 | |a 1126213058 |a 1191627897 | ||
| 020 | |a 9780810141131 |q (electronic book) | ||
| 020 | |a 0810141132 |q (electronic book) | ||
| 020 | |z 9780810141117 |q (paperback) | ||
| 020 | |z 0810141116 |q (paperback) | ||
| 020 | |z 9780810141124 |q (cloth) | ||
| 020 | |z 0810141124 |q (cloth) | ||
| 029 | 1 | |a AU@ |b 000066277999 | |
| 029 | 1 | |a AU@ |b 000070668455 | |
| 035 | |a (OCoLC)1134571960 |z (OCoLC)1126213058 |z (OCoLC)1191627897 | ||
| 037 | |a 22573/ctvrdzx40 |b JSTOR | ||
| 050 | 4 | |a JA85 |b .B355 2020eb | |
| 072 | 7 | |a POL |x 000000 |2 bisacsh | |
| 072 | 7 | |a POL |x 011010 |2 bisacsh | |
| 072 | 7 | |a PER |x 000000 |2 bisacsh | |
| 082 | 0 | 4 | |a 320.014 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Ball, James R., |c III, |e author. | |
| 245 | 1 | 0 | |a Theater of state : |b a dramaturgy of the United Nations / |c James R. Ball III. |
| 264 | 1 | |a Evanston, Illinois : |b Northwestern University Press, |c [2020] | |
| 300 | |a 1 online resource (x, 210 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 163-204) and index. | ||
| 505 | 0 | |a Introduction : "big heart, tiny legs I guess" -- "Purpose is but the slave to memory" : narrative and history in the security council -- "To be seen is to be doomed" : the force of spectatorship in UN peacekeeping -- "The world of the rulers Is the world of the spectacle" : time and reiteration in diplomatic speech -- "To receive an impression is to make an impression" : clapping along with the secretary-general -- "Between one person and another" : interfacing with institutions at the international criminal court -- "No more than a piece of paper" : the written word in a theater of states -- Epilogue : "on notice" and "taking names". | |
| 520 | |a "Theater of State is a study of performance at the United Nations and other international institutions. Ball uses theater theory to analyze the acts of diplomats and the political interventions made by performing artists"-- |c Provided by publisher. | ||
| 520 | |a In this innovative study of performance in international relations, James R. Ball III asks why states and their representatives come to the United Nations to perform for a global audience and how those audiences may intervene in the spectacle of global politics. Theater of State looks at key spaces in which global politics play out: in debating forums of the UN, at the International Criminal Court in The Hague, and in peacekeeping operations in Africa and the Middle East, as well as in a variety of related media productions. Ball argues that culture and politics form a unified field organized by the theatricality of its actors and the engaged spectatorship of its audiences. He provides a theory of global political spectatorship: of how the world watches itself in institutions and beyond, and of what citizens and diplomats do by watching. This study of the lived experience of spectacular politics on the world stage draws on theories of theater, performance, and politics to offer new ways of approaching issues of war, cosmopolitanism, international justice, governance, and activism. Situated at the nexus of two disciplines, performance studies and political science, this volume encourages conversations between the two so that each might offer lessons to the other. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on January 03, 2020). | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Communication in politics. | |
| 650 | 0 | |a Persuasion (Rhetoric) |x Political aspects. | |
| 650 | 0 | |a Diplomacy |x Political aspects. | |
| 650 | 0 | |a Theater |x Political aspects. | |
| 650 | 6 | |a Communication politique. | |
| 650 | 6 | |a Diplomatie |x Aspect politique. | |
| 650 | 6 | |a Théâtre |x Aspect politique. | |
| 650 | 7 | |a POLITICAL SCIENCE |x General. |2 bisacsh | |
| 650 | 7 | |a Communication in politics |2 fast | |
| 650 | 7 | |a Persuasion (Rhetoric) |x Political aspects |2 fast | |
| 650 | 7 | |a Theater |x Political aspects |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Ball, James R., III. |t Theater of state. |d Evanston, Illinois : Northwestern University Press, [2020] |z 9780810141117 |z 0810141116 |w (DLC) 2019022509 |w (OCoLC)1086335943 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvrf88qs |z Texto completo |
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5968681 | ||
| 938 | |a Project MUSE |b MUSE |n muse76209 | ||
| 938 | |a YBP Library Services |b YANK |n 16520724 | ||
| 938 | |a EBSCOhost |b EBSC |n 2653734 | ||
| 994 | |a 92 |b IZTAP | ||