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|a 1134393539
|a 1134797878
|a 1138098019
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|a 9780252051678
|q (electronic book)
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|a 025205167X
|q (electronic book)
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|z 9780252042812
|q (hardcover)
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|z 0252042816
|q (hardcover)
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|z 9780252084645
|q (paperback)
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|z 0252084640
|q (paperback)
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|a AU@
|b 000066477398
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|a (OCoLC)1134500379
|z (OCoLC)1134393539
|z (OCoLC)1134797878
|z (OCoLC)1138098019
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|a 22573/ctvtkf1mg
|b JSTOR
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|a ML2075
|b .B53 2019eb
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|a 781.5/42
|2 23
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|a UAMI
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|a Bick, Sally,
|e author.
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1 |
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|a Unsettled scores :
|b politics, Hollywood, and the film music of Aaron Copland and Hanns Eisler /
|c Sally Bick.
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264 |
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|a Urbana :
|b University of Illinois Press,
|c [2019]
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264 |
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|c Ã2019
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300 |
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|a 1 online resource (xiii, 232 pages) :
|b illustrations, music, facsimile.
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
1 |
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|a Music in American life
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|a Includes bibliographical references (pages 203-224) and index.
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|a Background stories -- Copland on Hollywood -- Copland, Hollywood, and American musical modernism : "Of mice and men" -- Eisler in America : the film music project and composing for the films -- Eisler in Hollywood : "Hangmen also die!"
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|a Online resource; title from digital title page (viewed on January 14, 2020).
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|a The Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach--and edify--the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in his own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Eisler's score for 'Hangmen Also Die!' and Copland's music for 'Of Mice and Men.
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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1 |
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|a Copland, Aaron,
|d 1900-1990
|x Criticism and interpretation.
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600 |
1 |
0 |
|a Eisler, Hanns,
|d 1898-1962
|x Criticism and interpretation.
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600 |
1 |
7 |
|a Copland, Aaron,
|d 1900-1990
|2 fast
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600 |
1 |
7 |
|a Eisler, Hanns,
|d 1898-1962
|2 fast
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650 |
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|a Motion picture music
|x History and criticism.
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650 |
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0 |
|a Motion picture music.
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650 |
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6 |
|a Film, Musique de
|x Histoire et critique.
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650 |
|
6 |
|a Film, Musique de.
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650 |
|
7 |
|a Motion picture music
|2 fast
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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700 |
1 |
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|a Copland, Aaron,
|d 1900-1990.
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700 |
1 |
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|a Eisler, Hanns,
|d 1898-1962.
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776 |
0 |
8 |
|i Print version:
|z 0252042816
|z 9780252042812
|w (OCoLC)1096517877
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830 |
|
0 |
|a Music in American life.
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.5406/j.ctvthhczv
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH37096383
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|a ProQuest Ebook Central
|b EBLB
|n EBL6001837
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|a EBSCOhost
|b EBSC
|n 2255741
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|b MUSE
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