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|a UAMI
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|a Alford, Lucy,
|d 1983-
|e author.
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|a Forms of poetic attention /
|c Lucy Alford
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|a New York :
|b Columbia University Press,
|c [2020]
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|c ©2020
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|a 1 online resource (xiv, 365 pages)
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|a text
|b txt
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|a online resource
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|a Includes bibliographical references and index
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|a "A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry. Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of primarily twentieth- and twenty-first-century North American poets such as T.S. Eliot, Wallace Stevens, Frank O'Hara, Anne Carson, Theresa Hak Kyung Cha, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making-its objects, its coordinates, its variables-while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry's primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page"--
|c Provided by publisher
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|a Modes of transitive attention -- Contemplation: attention's reach: Ponge: Heaney: Stevens: Bishop: Mullen -- Desire: attention's hunger: Dickinson: Shakespeare: Lorde: Lowell: Oppen: Hass -- Recollection: attending to the departed object: Al-Khansa': Hill: Celan: Cha: Carson -- Imagination: attention's poiesis: Coleridge: Wordsworth: Rilke: Burnside -- Modes of intransitive attention -- Vigilance: states of suspension: Hölderlin: Mallarmé -- Resignation: relinquishing the object: Rimbaud: Wright -- Idleness: doldrums and gardens of time: O'Hara: Ammons: Retallack -- Boredom: end-stopped attention: Bukowski: Gunn: Eliot
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|a Print version record
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Poetry
|x History and criticism.
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|a Poetry
|x Psychological aspects.
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|a Attention.
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|a Cognition in literature.
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|a Poetics.
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|a Attention
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|a Poésie
|x Histoire et critique.
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|a Poésie
|x Aspect psychologique.
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|a Attention.
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|a Cognition dans la littérature.
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|a Poétique.
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|a LITERARY CRITICISM
|x Semiotics & Theory.
|2 bisacsh
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|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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|a Attention.
|2 fast
|0 (OCoLC)fst00820788
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|a Cognition in literature.
|2 fast
|0 (OCoLC)fst00866515
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|a Poetics.
|2 fast
|0 (OCoLC)fst01067682
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|a Poetry.
|2 fast
|0 (OCoLC)fst01067691
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|a Poetry
|x Psychological aspects.
|2 fast
|0 (OCoLC)fst01067726
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|a Literary criticism.
|2 fast
|0 (OCoLC)fst01986215
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Literary criticism.
|2 lcgft
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|a Critiques littéraires.
|2 rvmgf
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|i Print version:
|a Alford, Lucy, 1983-
|t Forms of poetic attention.
|d New York : Columbia University Press, [2020]
|z 9780231187541
|w (DLC) 2019026948
|w (OCoLC)1112130343
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.7312/alfo18754
|z Texto completo
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