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Forms of poetic attention /

"A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Alford, Lucy, 1983- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Columbia University Press, [2020]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Alford, Lucy,  |d 1983-  |e author. 
245 1 0 |a Forms of poetic attention /  |c Lucy Alford 
264 1 |a New York :  |b Columbia University Press,  |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (xiv, 365 pages) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index 
520 |a "A poem is often read as a set of formal, technical, and conventional devices that generate meaning or affect. However, Lucy Alford suggests that poetic language might be better understood as an instrument for tuning and refining the attention. Identifying a crucial link between poetic form and the forming of attention, Alford offers a new terminology for how poetic attention works and how attention becomes a subject and object of poetry. Forms of Poetic Attention combines close readings of a wide variety of poems with research in the philosophy, aesthetics, and psychology of attention. Drawing on the work of primarily twentieth- and twenty-first-century North American poets such as T.S. Eliot, Wallace Stevens, Frank O'Hara, Anne Carson, Theresa Hak Kyung Cha, and Claudia Rankine, Alford defines and locates the particular forms of attention poems both require and produce. She theorizes the process of attention-making-its objects, its coordinates, its variables-while introducing a broad set of interpretive tools into the field of literary studies. Forms of Poetic Attention makes the original claim that attention is poetry's primary medium, and that the forms of attention demanded by a poem can train, hone, and refine our capacities for perception and judgment, on and off the page"--  |c Provided by publisher 
505 0 |a Modes of transitive attention -- Contemplation: attention's reach: Ponge: Heaney: Stevens: Bishop: Mullen -- Desire: attention's hunger: Dickinson: Shakespeare: Lorde: Lowell: Oppen: Hass -- Recollection: attending to the departed object: Al-Khansa': Hill: Celan: Cha: Carson -- Imagination: attention's poiesis: Coleridge: Wordsworth: Rilke: Burnside -- Modes of intransitive attention -- Vigilance: states of suspension: Hölderlin: Mallarmé -- Resignation: relinquishing the object: Rimbaud: Wright -- Idleness: doldrums and gardens of time: O'Hara: Ammons: Retallack -- Boredom: end-stopped attention: Bukowski: Gunn: Eliot 
588 0 |a Print version record 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
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650 0 |a Poetry  |x History and criticism. 
650 0 |a Poetry  |x Psychological aspects. 
650 0 |a Attention. 
650 0 |a Cognition in literature. 
650 0 |a Poetics. 
650 2 |a Attention 
650 6 |a Poésie  |x Histoire et critique. 
650 6 |a Poésie  |x Aspect psychologique. 
650 6 |a Attention. 
650 6 |a Cognition dans la littérature. 
650 6 |a Poétique. 
650 7 |a LITERARY CRITICISM  |x Semiotics & Theory.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Poetry.  |2 bisacsh 
650 7 |a Attention.  |2 fast  |0 (OCoLC)fst00820788 
650 7 |a Cognition in literature.  |2 fast  |0 (OCoLC)fst00866515 
650 7 |a Poetics.  |2 fast  |0 (OCoLC)fst01067682 
650 7 |a Poetry.  |2 fast  |0 (OCoLC)fst01067691 
650 7 |a Poetry  |x Psychological aspects.  |2 fast  |0 (OCoLC)fst01067726 
655 7 |a Literary criticism.  |2 fast  |0 (OCoLC)fst01986215 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Literary criticism.  |2 lcgft 
655 7 |a Critiques littéraires.  |2 rvmgf 
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