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191219s2020 msua ob 001 0 eng |
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|a 2019034311
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|a 9781496826572
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|z 9781496826527
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|z 9781496826534
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|a AU@
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|a (OCoLC)1133664079
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|a 22573/ctvx6fm46
|b JSTOR
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|a n-us---
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|a PS228.C59
|b C65 2020
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|a LIT
|x 017000
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|a LIT
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|a 817/.509
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|a UAMI
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|a Cole, Jean Lee,
|e author.
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|a How the other half laughs :
|b the comic sensibility in American culture, 1895-1920 /
|c Jean Lee Cole.
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|a Jackson :
|b University Press of Mississippi,
|c [2020]
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|a 1 online resource (xi, 188 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|b n
|2 rdamedia
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|a online resource
|b nc
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a Acknowledgments -- Introduction: The comic sensibility -- The comic grotesque -- Rising from the gutter -- Illustration and the narrative quality of appeal -- The black comic sensibility -- Coda -- Notes -- Works Consulted -- Index.
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|a "Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the "other half" laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor. Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity-how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole's argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized. Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them-including George Herriman, R.F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens-and traces the form's emergence in the pages of Joseph Pulitzer's New York World and William Randolph Hearst's Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century"--
|c Provided by publisher.
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|a Online resource; title from digital title page (viewed on January 09, 2020).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Comic, The
|x Social aspects
|z United States.
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650 |
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|a Comic books, strips, etc.
|z United States
|x History and criticism.
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651 |
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|a United States
|x Emigration and immigration
|x Social aspects.
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651 |
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|a United States
|x Social conditions
|y 19th century.
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650 |
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|a Comique
|x Aspect social
|z États-Unis.
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|a États-Unis
|x Conditions sociales
|y 19e siècle.
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|a États-Unis
|x Émigration et immigration
|x Aspect social.
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650 |
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|a LITERARY CRITICISM
|x Comics & Graphic Novels.
|2 bisacsh
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|a Comic books, strips, etc.
|2 fast
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650 |
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|a Emigration and immigration
|x Social aspects
|2 fast
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7 |
|a Social conditions
|2 fast
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|a United States
|2 fast
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|a 1800-1899
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
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|i Print version:
|a Cole, Jean Lee.
|t How the other half laughs.
|d Jackson : University Press of Mississippi, 2020
|z 9781496826527
|w (DLC) 2019034310
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvx5w9mx
|z Texto completo
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938 |
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|a Oxford University Press USA
|b OUPR
|n EDZ0002308330
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6001873
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938 |
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|a Project MUSE
|b MUSE
|n muse81985
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|a YBP Library Services
|b YANK
|n 301028690
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|a EBSCOhost
|b EBSC
|n 2335836
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|a 92
|b IZTAP
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