|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1132284392 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr |n||||||||| |
008 |
191222s2019 paua ob 001 0 eng d |
040 |
|
|
|a YDX
|b eng
|e rda
|e pn
|c YDX
|d OCLCO
|d N$T
|d OCLCF
|d YDX
|d JSTOR
|d P@U
|d OCLCO
|d MYG
|d OCLCO
|d QGK
|d OCL
|d VT2
|d OCLCQ
|d OCLCO
|d OCL
|
019 |
|
|
|a 1262684170
|
020 |
|
|
|a 9780271085562
|q (electronic bk.)
|
020 |
|
|
|a 0271085568
|q (electronic bk.)
|
020 |
|
|
|z 9780271084640
|
020 |
|
|
|z 0271084642
|
029 |
1 |
|
|a AU@
|b 000067633088
|
035 |
|
|
|a (OCoLC)1132284392
|z (OCoLC)1262684170
|
037 |
|
|
|a 22573/ctv14fxp1r
|b JSTOR
|
043 |
|
|
|a n-us---
|
050 |
|
4 |
|a N7483.S292
|b O36 2019
|
072 |
|
7 |
|a ART
|x 009000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 015100
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 015110
|2 bisacsh
|
072 |
|
7 |
|a LIT
|x 024050
|2 bisacsh
|
072 |
|
7 |
|a PHI
|x 001000
|2 bisacsh
|
082 |
0 |
4 |
|a 701/.18
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a O'Donnell, C. Oliver
|q (Charles Oliver),
|d 1983-
|e author.
|
245 |
1 |
0 |
|a Meyer Schapiro's critical debates :
|b art through a modern American mind /
|c C. Oliver O'Donnell.
|
264 |
|
1 |
|a University Park, Pennsylvania :
|b The Pennsylvania State University Press,
|c [2019]
|
264 |
|
4 |
|c ©2019
|
300 |
|
|
|a 1 online resource (xiv, 254 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references (pages 214-244) and index.
|
505 |
0 |
|
|a 1929, formalism and perception : from Löwy and Fry to Wertheimer and Gombrich -- 1936, reviewing Kunstwissenschaft : foreshadowing the two cultures debate -- 1941, science and the dialectic : Raphael and Dewey, Courbet and Picasso -- 1947, the "aesthetic attitude," Coomaraswamy's metaphysics, and the Westernness of art's history -- 1956, pragmatic psychoanalysis and the confirmation of Woman I -- 1961, debating Berenson with Berlin : two concepts of art-historical liberty -- 1968, Heidegger and Goldstein : Van Gogh's Shoes and the liabilities of Ekphrasis -- 1973, Worlds and pictures : a color field critique of structuralist semiotics.
|
520 |
|
|
|a "Explores the life, career, and intellectual debates of art historian Meyer Schapiro, who worked at the nexus of artistic and intellectual practice and from there confronted some of the twentieth century's most abiding questions"--
|c Provided by publisher
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
600 |
1 |
0 |
|a Schapiro, Meyer,
|d 1904-1996.
|
600 |
1 |
1 |
|a Schapiro, Meyer,
|d 1904-1996.
|
600 |
1 |
7 |
|a Schapiro, Meyer,
|d 1904-1996.
|2 fast
|0 (OCoLC)fst01716985
|
650 |
|
0 |
|a Art criticism
|z United States
|x History
|y 20th century.
|
650 |
|
0 |
|a Art
|x History.
|
650 |
|
6 |
|a Critique d'art
|z États-Unis
|x Histoire
|y 20e siècle.
|
650 |
|
6 |
|a Art
|x Histoire.
|
650 |
|
7 |
|a art history.
|2 aat
|
650 |
|
7 |
|a ART
|x Criticism & Theory.
|2 bisacsh
|
650 |
|
7 |
|a Art.
|2 fast
|0 (OCoLC)fst00815177
|
650 |
|
7 |
|a Art criticism.
|2 fast
|0 (OCoLC)fst00815492
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
776 |
0 |
8 |
|i Print version:
|a O'Donnell, C. Oliver (Charles Oliver), 1983-
|t Meyer Schapiro's critical debates.
|d University Park, Pennsylvania : The Pennsylvania State University Press, [2019]
|w (DLC) 2019025517
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.5325/j.ctv14gp76b
|z Texto completo
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2332272
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse82768
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 16591486
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 16810562
|
994 |
|
|
|a 92
|b IZTAP
|