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|a UAMI
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|a Dalos, Anna,
|d 1973-
|e author.
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|a Zoltán Kodály's world of music /
|c Anna Dalos.
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|a Oakland, California :
|b University of California Press,
|c [2020]
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|c ©2020
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|a 1 online resource (x, 283 pages) :
|b illustrations (black and white).
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|a text
|b txt
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|a online resource
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|a California studies in 20th-century music
|v 27
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|a Includes bibliographical references and indexes.
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|a Introduction -- Zoltán Kodály's path -- Kodály, the Brahmin : the beginning of the composer's carrier -- A shift of paradigm : the reinterpretation of the folk-song concept -- Finding the voice of his "deepest inner self" : the case of String Quarter no. 1 -- Commentaries on Debussy : Kodály's turn toward Western modernity -- Nausicaa, Sappho and other women in love : women and modernism in Kodály's songs -- "From these times of war" : the case of String Quartet no. 2 -- Reflections of a non-political man : Kodály after the Trianon treaty (1920) -- An encounter with a young man : the Peacock Variations -- Palestrina in Budapest : Kodály's views on church music -- Why Jeppesen? : Kodály's readings on counterpoint -- Hungarian counterpoint : contrapuntal tecnique in Kodály's works -- The art of fugue : about Kodály's concerto -- A symphonic self-portrait : the last years -- Epilogue -- Chronology of Zoltán Kodály's path.
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|a "Hungarian composer and musician Zoltán Kodály (1882-1967) is best known for his pedagogical system, the Kodály method, which has been influential in the development of music education around the world. For the first time, author Anna Dalos considers Kodály's career beyond the classroom and provides a comprehensive assessment of his works as a composer. In addition to the inspiration of Hungarian folk music, which is commonly ascribed to Kodály's composition, this volume presents his most important musical experiences, including the impact of Brahms, Wagner, Debussy, Palestrina, and Bach. Dalos highlights other decisive, extramusical impulses, such as World War I's bitter experience, Kodály's reception of classical antiquity, and even Kodály's interpretation of the male and female roles in his music. Dalos's impressive knowledge of the twentieth-century composer provides a timely and much-needed English-language treatment of Kodály"--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on September 11, 2020).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Kodály, Zoltán,
|d 1882-1967
|x Criticism and interpretation.
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|a Kodály, Zoltán,
|d 1882-1967.
|2 fast
|0 (OCoLC)fst00069197
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|a MUSIC / Individual Composer & Musician
|2 bisacsh
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|a 20th century composer.
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|a assessment of zoltn kodly as composer.
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|a bitter experiences of world war i.
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|a career beyond classroom.
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|a collector of hungarian folk music.
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|a development of music education.
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|a historical and musical insight.
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|a impressive.
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|a interpretation of gender roles in music.
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|a kodly method.
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|a reception of classical antiquity.
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|a timely.
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|i Print version:
|a Dalos, Anna, 1973-
|t Zoltán Kodály's world of music
|d Oakland, California : University of California Press, [2020]
|z 9780520300040
|w (DLC) 2019054877
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830 |
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|a California studies in 20th-century music.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv153k6bd
|z Texto completo
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