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Voices, bodies, practices : performing musical subjectivities /
Who is the 'I' that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Alth...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , , , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven (Belgium) :
Leuven University Press,
[2019]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Laws, Catherine, |e author. | |
| 245 | 1 | 0 | |a Voices, bodies, practices : |b performing musical subjectivities / |c Catherine Laws, William Brooks, David Gorton, Nguyễn Thanh Thủy, Stefan Östersjö, and Jeremy J. Wells. |
| 264 | 1 | |a Leuven (Belgium) : |b Leuven University Press, |c [2019] | |
| 300 | |a 1 online resource (323 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Online resource; title from digital title page (viewed on April 07, 2020). | |
| 520 | 8 | |a Who is the 'I' that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves, again and again, who we think we are and how we can speak meaningfully to one another. Although in other performing arts studies, especially of theatre, the performance of selfhood and identity continues to be a matter of lively debate in both practice and theory, the question of how a sense of self is manifested through musical performance has been neglected. The authors of 'Voices, Bodies, Practices' are all musician-researchers: the book employs artistic research to explore how embodied performing "voices" can emerge from the interactions of individual performers and composers, musical materials, instruments, mediating technologies, and performance contexts. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 650 | 0 | |a Music |x Performance. | |
| 650 | 0 | |a Self. | |
| 650 | 0 | |a Musicians |x Psychology. | |
| 650 | 0 | |a Ego (Psychology) | |
| 650 | 6 | |a Musique |x Exécution. | |
| 650 | 6 | |a Moi (Psychologie) | |
| 650 | 6 | |a Musiciens |x Psychologie. | |
| 650 | 7 | |a Ego (Psychology) |2 fast | |
| 650 | 7 | |a Music |x Performance |2 fast | |
| 650 | 7 | |a Musicians |x Psychology |2 fast | |
| 650 | 7 | |a Self |2 fast | |
| 700 | 1 | |a Brooks, William, |d 1943- |e author. | |
| 700 | 1 | |a Gorton, David, |d 1978- |e author. | |
| 700 | 1 | |a Nguyễn, Thanh Thủy, |e author. | |
| 700 | 1 | |a Östersjö, Stefan, |e author. | |
| 700 | 1 | |a Wells, Jeremy J., |e author. | |
| 776 | 0 | 8 | |i Print version: |a Laws, Catherine. |t Voices, Bodies, Practices : Performing Musical Subjectivities. |d Leuven : Leuven University Press, ©2019 |z 9789462702059 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvmd83kv |z Texto completo |
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