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Performance/media/art/culture : selected essays 1983-2018 /
Experience the interdisciplinary performance scene of the 1980s and beyond through the eyes of one of its most compelling witnesses. Jacki Apple's Performance / Media / Art / Culture traces performance art, multimedia theatre, audio arts, and dance in the United States from 1983 to the present.
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect Books Ltd,
2019.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover; Half Title; Title; Copyright; Contents; ACKNOWLEDGEMENTS; FOREWORD by Marina LaPalma; THE TV GENERATION: MEDIA CULTURE AND PERFORMANCE; Performance in the Eighties: The TV Generation (1984); Psycho-Opera (1987); Commentary Intermedia: Performance and Video (1983); Sex and Technology: The Politics of Intimacy (1990); The Making of Cambodia: Spalding Gray and The Killing Fields (1985); Terry Allen's Radio Cinema (2000/2018); The Life and Times of Lin Hixson: The LA Years (1991); SPECTACLE, FILM, COLLABORATION; Time, Space, and Questions of Otherness (1989); Time Lost/Time Found (2017)
- Journeys to Heaven and Hell (2015)Life, Art, and Death in Multimedia Experimental Theater (2011); Light Energy, Dark Matter (2009/2015); Wrestling with an Age That Won't Give Back (1985); CROSSING CULTURES: SOUND, SPACE, GESTURE; Radio Art: The Coming Sonic Boom (1990); The Aural Stage (1991); Yoshi Oida: Interrogations (1990); Performance and the Art of Conversation (2015); Listening to the Universe (1990); Urban Bush Women (1987); Tarika Sammy (1993); Rudy Perez Performance Ensemble: Made In LA (1991); Lula Washington: LA Contemporary Dance Theater (1989)
- Fulfillment in The Empty Room (2012)Peripheral Visions: Perspectives on Culture, Media, and Performance (2017); Faustin Linyekula's Journey from Darkness to Light (2017); HISTORY RESTAGED; Plato's Symposium (1986); Tao, Mao, Now! (1991); The Sound of History Dreaming the Future (1991); Dancing on History's Grave (2014); Dancing on History's Grave: Part Two (2014); Mining the Past to Change the Future (2017); 1969 Speaks For Itself (2018); Staging Politics: Allegory vs. Satire (2017); My Lai Revisited: One Man's Journey (2018); 1984 in 2016: Big Brother is Watching; PROPHESIES PAST TENSE
- Voyage to Prague (1991)Slouching Towards the Next Millennium: Some Meditations on Art and the Twenty-First Century (1989); The Voices of America 1992 (1992); Commentary Intermedia: A Bright Tomorrow? (1987/89); Resurrecting the Disappeared: Recollections on Artists in Absentia (1997); Commerce on the Edge: The Convergence of Art and Entertainment (1986); Performance Art is Dead: Long Live Performance Art! (1994); Notes on Performance and Sex(ism) (2015); POLITICS OF CULTURE; Commentary Intermedia: Interdisciplinary Performance: Collaboration in the 1980s (1985)
- Politics, Performance, and the Los Angeles Festival (1991)Screamers (1991); Radiodeath: The Expulsion of Art from the Airwaves (1995); The Artist as Fundamentalist (1992); A Question of Civic and Public Responsibility (1994); Beauty and the (Art) Beast (1993); CONCERNING NATURE; Calls from the Deep (1990); Reviving the Horror (1986); Miwa Matreyek's Self-Made World (2014); Laurie Anderson's Dirtday! (2012); Cynthia Hopkins: This Clement World (2013); Meredith Monk: On Behalf of Nature (2013); Entangled Waters (2018); AFTERWORD: A Retrospective View; APPENDIX I: Publications