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Women in Modern Drama : Freud, Feminism, and European Theater at the Turn of the Century /

An abundance of rich and memorable female roles is one of the most striking features of turn-of-the-century European drama. Gail Finney traces the source of this phenomenon to large-scale upheavals in prevailing contemporary attitudes toward women. She cites two major developments in particular: the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Finney, Gail (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Ithaca, NY : Cornell University Press, [2019]
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Women in Modern Drama :  |b Freud, Feminism, and European Theater at the Turn of the Century /  |c Gail Finney. 
264 1 |a Ithaca, NY :  |b Cornell University Press,  |c [2019] 
264 4 |c ©1991 
300 |a 1 online resource (248 pages) 
336 |a text  |b txt  |2 rdacontent 
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505 0 0 |t Frontmatter --  |t Contents --  |t Preface --  |t Introduction: Woman's Place at the Turn of the Century: Emancipation or Hysterization? --  |t Part I. Freud's Double? --  |t 1. Female Sexuality and Schnitzler's La Ronde --  |t Part II. Demythologizing the Femme Fatale, or The Daughter's Education --  |t Introduction --  |t 2. The (Wo)Man in the Moon: Wilde's Salome --  |t 3. Woman as Spectacle and Commodity: Wedekind's Lulu Plays --  |t Part III. The Law of the Father --  |t 4. "I've Lost Him Surely'': Synge's Playboy of the Western World --  |t 5. The Dynamics of Sex and Suffering: Hauptmann's Rose Bernd --  |t Part IV. Mothers in Spite of Themselves --  |t Introduction --  |t 6. Maternity and Hysteria: Ibsen's Hedda Gabler --  |t 7. Humanism and Patriarchy: Hofmannsthal's Woman without a Shadow --  |t Part V. Motherhood, Power, and Powerlessness --  |t Introduction --  |t 8. The New Woman as Madonna; Shaw's Candida --  |t 9. The Devil in the House?: Strindberg's The Father --  |t Index 
520 |a An abundance of rich and memorable female roles is one of the most striking features of turn-of-the-century European drama. Gail Finney traces the source of this phenomenon to large-scale upheavals in prevailing contemporary attitudes toward women. She cites two major developments in particular: the culmination in the years 1880-1920 of the first feminist movement; and Freud's formulation of his theories of sexuality, which emphasize differences between the sexes. Taking into account these strong, sometimes conflicting intellectual currents, Women in Modern Drama explores the dynamics of gender identity and family relationships in major plays by European make dramatists, including Ibsen, Strindberg, Shaw, Wilde, Schnitzler, Synge, Hofmannsthal, Wedekind, and Hauptmann. 
546 |a In English. 
588 0 |a Online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019). 
504 |a Includes bibliographical references and index. 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
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650 0 |a Women in literature. 
650 0 |a Psychoanalysis and literature  |z Europe. 
650 0 |a Feminist drama  |x History and criticism. 
650 0 |a Feminism and literature. 
650 0 |a European drama  |y 19th century  |x History and criticism. 
650 0 |a European drama  |y 20th century  |x History and criticism. 
650 6 |a Femmes dans la littérature. 
650 6 |a Psychanalyse et littérature  |z Europe. 
650 6 |a Théâtre féministe  |x Histoire et critique. 
650 6 |a Théâtre européen  |y 19e siècle  |x Histoire et critique. 
650 6 |a Théâtre européen  |y 20e siècle  |x Histoire et critique. 
650 7 |a DRAMA  |x Women Authors.  |2 bisacsh 
650 7 |a European drama  |2 fast 
650 7 |a Feminism and literature  |2 fast 
650 7 |a Feminist drama  |2 fast 
650 7 |a Psychoanalysis and literature  |2 fast 
650 7 |a Women in literature  |2 fast 
651 7 |a Europe  |2 fast 
648 7 |a 1800-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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