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Focal impulse theory : musical expression, meter, and the body /

"Music is surrounded by movement, from the blues guitarist tapping his foot to the violinist swaying with each bow stroke. To John Paul Ito, these actions are more than just a performance gimmick; rather, they are directly linked to the generation of sound and, importantly, the feeling that sou...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ito, John Paul (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington, Indiana : Indiana University Press, [2020]
Colección:Musical meaning and interpretation.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Ito, John Paul,  |e author. 
245 1 0 |a Focal impulse theory :  |b musical expression, meter, and the body /  |c John Paul Ito. 
264 1 |a Bloomington, Indiana :  |b Indiana University Press,  |c [2020] 
300 |a 1 online resource (xx, 376 pages) :  |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Musical meaning and interpretation 
504 |a Includes bibliographical references and index. 
520 |a "Music is surrounded by movement, from the blues guitarist tapping his foot to the violinist swaying with each bow stroke. To John Paul Ito, these actions are more than just a performance gimmick; rather, they are directly linked to the generation of sound and, importantly, the feeling that sound produces. By developing "focal impulse theory," Ito shows how the expressive shaping of sound informs meaning within each individual musical piece. Ito reveals that music not only begins in motion with the performer, but it also returns to motion, since the universal response to music is to move. As Focal Impulse Theory deftly illustrates, these movements are not merely physical reactions; they carry meaning and, in a very real sense, are meaning"--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on December 23, 2020). 
505 0 |a 9. Anticipations and Secondary Focal Impulses -- 10. Inflecting Focal Impulses Downward and Upward -- 11. More Advanced Uses of Inflected Impulse Cycles -- 12. Performing Metrical Dissonance -- Part 4. Connecting Focal Impulse Theory -- 13. Connections with Psychology -- 14. Connections with Other Music Scholarship -- Part 5. Applying Focal Impulse Theory -- 15. Metrical Dissonance in Brahms -- 16. The First Movements of the Brahms Sonatas op. 120 -- Conclusions: Placing Focal Impulse Theory in Larger Contexts -- Glossary: Focal Impulse Symbols and Their Definitions -- References -- Discography 
505 0 |a Cover -- Title Page -- Copyright -- Contents -- Accessing Audiovisual Materials -- Preface -- Copyright Acknowledgments -- Part 1. Introduction -- 1. Introducing the Focal Impulse and Its Theory -- 2. Foundations in Music Theory and Cognitive Science -- Part 2. Basic Focal Impulse Theory -- 3. The Basic Concept of the Focal Impulse -- 4. Focal Impulses and Meter: The Simplest Cases -- 5. The Sound of Focal Impulses -- 6. More on Focal Impulses and Meter -- 7. Focal Impulses and Characters of Syncopation -- Part 3. Expanding Focal Impulse Theory -- 8. Special Cases of Focal Impulse Placement 
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650 0 |a Musical meter and rhythm. 
650 0 |a Music  |x Interpretation (Phrasing, dynamics, etc.) 
650 0 |a Music  |x Performance  |x Physiological aspects. 
650 6 |a Musique  |x Mesure et rythme. 
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776 0 8 |i Print version:  |a Ito, John Paul.  |t Focal impulse theory  |d Bloomington : Indiana University Press, 2020.  |z 9780253049957  |w (DLC) 2019050618 
830 0 |a Musical meaning and interpretation. 
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