|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1128823238 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
191125s2019 onc ob 001 0 eng d |
040 |
|
|
|a N$T
|b eng
|e rda
|e pn
|c N$T
|d N$T
|d JSTOR
|d YDX
|d CELBN
|d MM9
|d OCLCQ
|d OCLCO
|d CN6UV
|d OCLCO
|d OCLCQ
|
020 |
|
|
|a 9781487518004
|q (electronic bk.)
|
020 |
|
|
|a 1487518005
|q (electronic bk.)
|
020 |
|
|
|z 1487503474
|
020 |
|
|
|z 9781487503475
|
029 |
1 |
|
|a AU@
|b 000066430688
|
035 |
|
|
|a (OCoLC)1128823238
|
037 |
|
|
|a 22573/ctvsdz55z
|b JSTOR
|
043 |
|
|
|a e-it---
|
050 |
|
4 |
|a PN1993.5.I88
|b B76 2019
|
072 |
|
7 |
|a PER
|x 004000
|2 bisacsh
|
072 |
|
7 |
|a PER
|x 004030
|2 bisacsh
|
072 |
|
7 |
|a HIS
|x 020000
|2 bisacsh
|
082 |
0 |
4 |
|a 791.430945
|2 23
|
084 |
|
|
|a cci1icc
|2 lacc
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Brook, Clodagh J.,
|e author.
|
245 |
1 |
0 |
|a Screening religions in Italy :
|b contemporary Italian cinema and television fiction in the post-secular public sphere /
|c Clodagh J. Brook.
|
264 |
|
1 |
|a Toronto ;
|a Buffalo ;
|a London :
|b University of Toronto Press,
|c 2019.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Toronto Italian studies
|
504 |
|
|
|a Includes bibliographical references and index.
|
520 |
|
|
|a "This is the first book-length study to address the question of religion in contemporary Italian cinema and television. It questions why religion persists on Italian screens and how this reflects and constructs Italy's emerging post-secularity."--
|c Provided by publisher
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Ntroduction: Italy, Secularization, and the Post-Secular -- 1. The Space for Religious Filmmaking: Policy and Infrastructures -- 2. The Persistence of Religion Onscreen: Icons, Rituals, and the Arts -- 3. Countercultural Catholic Values in the Public Sphere -- 4. Protest in the Public Sphere: The Shifting Line between Religious and Secular Space -- 5. Voicing the Religious Other: Assimilation, Horror, Resolution -- Conclusion: Seeing is Believing: Italian Filmmaking Looks Post-Secularism in the Eye.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
650 |
|
0 |
|a Motion pictures
|z Italy.
|
650 |
|
0 |
|a Television programs
|z Italy.
|
650 |
|
0 |
|a Religion in motion pictures.
|
650 |
|
6 |
|a Cinéma
|z Italie.
|
650 |
|
6 |
|a Émissions télévisées
|z Italie.
|
650 |
|
6 |
|a Religion au cinéma.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
|
650 |
|
7 |
|a Religion in motion pictures.
|2 fast
|0 (OCoLC)fst01093883
|
650 |
|
7 |
|a Television programs.
|2 fast
|0 (OCoLC)fst01147026
|
651 |
|
7 |
|a Italy.
|2 fast
|0 (OCoLC)fst01204565
|
776 |
0 |
8 |
|i Print version:
|a Brook, Clodagh J.
|t Screening religions in Italy.
|d Toronto ; Buffalo ; London : University of Toronto Press, 2019
|z 1487503474
|w (OCoLC)1089007692
|
830 |
|
0 |
|a Toronto Italian studies.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3138/j.ctvsf1pcs
|z Texto completo
|
938 |
|
|
|a Canadian Electronic Library
|b CELB
|n 457002
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2317274
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 16513366
|
994 |
|
|
|a 92
|b IZTAP
|