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Film and the imagined image /
"From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is percep...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2019]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 i 4500 | ||
|---|---|---|---|
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| 003 | OCoLC | ||
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| 100 | 1 | |a Cooper, Sarah, |d 1971- |e author. | |
| 245 | 1 | 0 | |a Film and the imagined image / |c Sarah Cooper |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (viii, 199 pages) : |b illustrations (black and white) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 520 | |a "From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is perceptible on screen. This book explores the extraordinary ways in which film can stimulate and direct the image-making capacity of the imagination. Bringing together an international range of films with debates in philosophy, film theory, literary scholarship and cognitive psychology, author Sarah Cooper charts the key processes that serve the imagining of images in the light of the mind. Through its navigation of a labile and vivid mental terrain, this innovative work makes a profound contribution to the study of spectatorship."-- |c Provided by publisher | ||
| 504 | |a Includes filmography, bibliographical references and index | ||
| 505 | 0 | |a Seeing pictures -- Feeling pictures -- Layering -- Volumising -- Supplementing -- Reshaping -- Erasing | |
| 588 | 0 | |a Print version record | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Film criticism. | |
| 650 | 0 | |a Imagination. | |
| 650 | 0 | |a Imagination in motion pictures. | |
| 650 | 6 | |a Critique cinématographique. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x General. |2 bisacsh | |
| 650 | 7 | |a Film criticism |2 fast | |
| 650 | 7 | |a Imagination |2 fast | |
| 650 | 7 | |a Imagination in motion pictures |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Cooper, Sarah, 1971- |t Film and the imagined image. |d Edinburgh : Edinburgh University Press, [2019] |z 1474452787 |w (OCoLC)1085167559 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctvs32qw3 |z Texto completo |
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