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The stillness of solitude : romanticism and contemporary American independent film /

"In the first book-length study of Romanticism in relation to American film, Michelle Devereaux takes established theories of contemporary American independent cinema as a point of entry, exploring the underlying philosophical and aesthetic Romantic connections between a selection of seven film...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Devereaux, Michelle (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2019]
Colección:Traditions in American cinema.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Devereaux, Michelle,  |e author. 
245 1 4 |a The stillness of solitude :  |b romanticism and contemporary American independent film /  |c Michelle Devereaux 
264 1 |a Edinburgh :  |b Edinburgh University Press,  |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource (ix, 214 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Traditions in American cinema 
520 |a "In the first book-length study of Romanticism in relation to American film, Michelle Devereaux takes established theories of contemporary American independent cinema as a point of entry, exploring the underlying philosophical and aesthetic Romantic connections between a selection of seven films from four popular filmmakers: Wes Anderson, Sofia Coppola, Spike Jonze and Charlie Kaufman. Primarily dealing with questions of identity, imagination and the relation between self and world, these films also emphasise the anxieties of our own time: the nostalgia for an imaginary past, and the fear of an uncertain future."--  |c Provided by publisher 
504 |a Includes bibliographical references and index 
505 0 |a Beauty among the ruins : The painful picturesque and sentimental sublime in Wes Anderson's aesthetics -- "An endless succession of mirrors" : Irony, ambiguity and the crisis of authenticity in Synecdoche, New York -- Oh! You pretty things : The egotistical and feminine sublimes in Sofia Coppola's The Virgin Suicides -- Girlfriend in the machine : Intersubjectivity and the sublime limits of representation in Spike Jonze's Her -- "Because I'm a wild animal" : Nature versus nurture in Fantastic Mr Fox -- "It's not too much, is it?" : Keats, fancy and the ethics of pleasurable excess in Marie Antoinette -- Conclusion : On endings and new beginnings 
545 0 |a Michelle Devereaux is a film journalist and scholar. She received her doctorate in Film Studies from the University of Edinburgh and has taught film theory, history and criticism at the University of Edinburgh and the University of Birmingham. She is a board member of intersectional feminist journal on visual culture MAI and currently lives in British Columbia, Canada. 
588 0 |a Print version record 
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650 0 |a Independent films  |z United States  |x History and criticism. 
650 0 |a Solitude. 
650 0 |a Romanticism. 
650 2 |a Loneliness 
650 6 |a Films indépendants  |z États-Unis  |x Histoire et critique. 
650 6 |a Solitude. 
650 6 |a Romantisme. 
650 7 |a romanticism (form of expression)  |2 aat 
650 7 |a PERFORMING ARTS  |x Film & Video  |x Direction & Production.  |2 bisacsh 
650 7 |a Independent films  |2 fast 
650 7 |a Romanticism  |2 fast 
650 7 |a Solitude  |2 fast 
651 7 |a United States  |2 fast 
655 0 |a Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Devereaux, Michelle.  |t Stillness of solitude.  |d Edinburgh : Edinburgh University Press, [2019]  |z 1474446043  |w (OCoLC)1085201357 
830 0 |a Traditions in American cinema. 
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