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Primordial modernism : animals, ideas, transition (1927-1938) /

This adventurous study focuses on experimental animal writing in the major interwar journal transition (1927-1938), which contains a striking recurrence of metaphors around the most basic forms of life. Amoebas, fish, lizards, birds - some of the 'lowest' and 'oldest' creatures o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Setz, Cathryn, 1983- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Edinburgh : Edinburgh University Press, [2019]
Colección:Edinburgh critical studies in modernist culture.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a This adventurous study focuses on experimental animal writing in the major interwar journal transition (1927-1938), which contains a striking recurrence of metaphors around the most basic forms of life. Amoebas, fish, lizards, birds - some of the 'lowest' and 'oldest' creatures on earth often emerge at the very places authors seek expressions for the 'newest' and the 'highest' in art. Discussing works by James Joyce, Henry Miller, Gottfried Benn, Eugene Jolas, Kay Boyle, Bryher, Paul Éluard and more, Cathryn Setz investigates this paradox and provides a new understanding of transition's contribution to twentieth-century periodical culture 
504 |a Includes bibliographical references and index 
505 0 |a Amoeba: figures of abstraction, surrealist influence and the revolution of the word -- Fish: evolving the artwork in James Joyce's 'Shem the Penman' (1927) -- Lizard: Gottfried Benn, 'the "dark" side of modernism' and transition's 'pineal eye' -- Bird: editorial flights with Eugene Jolas 
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