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The Fu Genre of Imperial China : Studies in the Rhapsodic Imagination /
The first volume in English to examine the fu, one of the major genres of Chinese literature, from its origins up to the late imperial era.
| Clasificación: | Libro Electrónico |
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leeds :
ARC Humanities Press,
[2019]
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| Colección: | East meets West
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Front Cover; Half-title; Series information; Title page; Copyright information; Table of contents; Preface; Body; Chapter 1. Introduction: The Rhapsodic Imagination; Part One. Recitation and Display; Chapter 2. The Origins of the Term "Fu" as a Literary Genre of Recitation; The Puchen . Theory: "Directly Displaying"; Challenging the Puchen Theory; The Recitation Theory; The Liu shi and the Recitation Theory; An Etymological Approach by Jia Jinhua; Another Etymological Approach by Chen Yunzhu; Fu as a Literary Genre of Recitation61; Chapter 3. Into the New Realm of Belles Lettres
- Part Two. Lyricism and FormChapter 4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty; The Pre-Qin Period and Han Dynasty; "Fu Is an Outflow of the Ancient Songs": Canonizing a Genre Through Assimilation; "To Recite without Singing Is Called Fu": Establishing Self-Identity through Dissimilation; The Wei, Jin, and Northern and Southern Dynasties; Shi and Fu Pieces with the Same Title; Lyricization of the Fu in the Southern Dynasties; The "Fu-icization" of Verse and the Rise of the Fu de ti; Conclusion
- Chapter 5. Xu Wei's Early Modern Rhapsodies: Catalogue and Critique, Lyricism and LogicDreams of Good Taste: "What Others Ignore, I Alone Study in Detail"; The Garden of Metaphors: Xu Wei's "Rhapsody on (Poems about) Peonies"; Evoking the Self as Aesthetic Object: Evolution of the Yongwu Mode; Influence; Conclusion; Part Three. Philosophy and Dialogue; Chapter 6. The Metaphysical Rhapsody of the Six Dynasties; The Rise of the Metaphysical Rhapsody: In Search of Nonbeing; The Buddhist Conquest of the Metaphysical Rhapsody; Coda
- Chapter 7. Argumentation and Generic Change in the Mid-Tang FuLi Guan's "Ku yu fu"; The Interplay of Modes: Readings of "Ku yu fu"; Textual Affinities; Further Lexical Considerations; Rhyme; Reconsidering the Fu/Shelun Relationship; Conclusions; Part Four. Critique and Protest; Chapter 8. The Hidden Message of Zhang Heng's "Contemplating the Mystery"; The Imaginary Journey in the "Contemplating the Mystery"; Comparing the Five Imaginary Journey Poems; The Journeys to the Four Cardinal Points; Conclusions
- Chapter 9. A New Discourse on "Lament for the South" in the Fu of the Ming-Qing Transition1The Collective Understanding of "Lament for the South"; The Yu Xin Controversy; "What Soil Remains Untainted?"; Bibliography; Index