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|a (OCoLC)1128094186
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|a 22573/ctvs6v28j
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|a 895.11/04
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|a UAMI
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|a The Fu Genre of Imperial China :
|b Studies in the Rhapsodic Imagination /
|c edited by Nicholas Morrow Williams.
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|a Leeds :
|b ARC Humanities Press,
|c [2019]
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|a 1 online resource
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|a text
|b txt
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|a computer
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|a online resource
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|a East meets West
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|a Online resource; title from PDF title page (EBSCO, viewed November 22, 2019).
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|a Includes bibliographical references and index.
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|a Front Cover; Half-title; Series information; Title page; Copyright information; Table of contents; Preface; Body; Chapter 1. Introduction: The Rhapsodic Imagination; Part One. Recitation and Display; Chapter 2. The Origins of the Term "Fu" as a Literary Genre of Recitation; The Puchen . Theory: "Directly Displaying"; Challenging the Puchen Theory; The Recitation Theory; The Liu shi and the Recitation Theory; An Etymological Approach by Jia Jinhua; Another Etymological Approach by Chen Yunzhu; Fu as a Literary Genre of Recitation61; Chapter 3. Into the New Realm of Belles Lettres
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|a Part Two. Lyricism and FormChapter 4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty; The Pre-Qin Period and Han Dynasty; "Fu Is an Outflow of the Ancient Songs": Canonizing a Genre Through Assimilation; "To Recite without Singing Is Called Fu": Establishing Self-Identity through Dissimilation; The Wei, Jin, and Northern and Southern Dynasties; Shi and Fu Pieces with the Same Title; Lyricization of the Fu in the Southern Dynasties; The "Fu-icization" of Verse and the Rise of the Fu de ti; Conclusion
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|a Chapter 5. Xu Wei's Early Modern Rhapsodies: Catalogue and Critique, Lyricism and LogicDreams of Good Taste: "What Others Ignore, I Alone Study in Detail"; The Garden of Metaphors: Xu Wei's "Rhapsody on (Poems about) Peonies"; Evoking the Self as Aesthetic Object: Evolution of the Yongwu Mode; Influence; Conclusion; Part Three. Philosophy and Dialogue; Chapter 6. The Metaphysical Rhapsody of the Six Dynasties; The Rise of the Metaphysical Rhapsody: In Search of Nonbeing; The Buddhist Conquest of the Metaphysical Rhapsody; Coda
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|a Chapter 7. Argumentation and Generic Change in the Mid-Tang FuLi Guan's "Ku yu fu"; The Interplay of Modes: Readings of "Ku yu fu"; Textual Affinities; Further Lexical Considerations; Rhyme; Reconsidering the Fu/Shelun Relationship; Conclusions; Part Four. Critique and Protest; Chapter 8. The Hidden Message of Zhang Heng's "Contemplating the Mystery"; The Imaginary Journey in the "Contemplating the Mystery"; Comparing the Five Imaginary Journey Poems; The Journeys to the Four Cardinal Points; Conclusions
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|a Chapter 9. A New Discourse on "Lament for the South" in the Fu of the Ming-Qing Transition1The Collective Understanding of "Lament for the South"; The Yu Xin Controversy; "What Soil Remains Untainted?"; Bibliography; Index
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|a The first volume in English to examine the fu, one of the major genres of Chinese literature, from its origins up to the late imperial era.
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Chinese poetry
|x History and criticism.
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|a Fu
|x History and criticism.
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|a Poésie chinoise
|x Histoire et critique.
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|a Fu
|x Histoire et critique.
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|a LITERARY CRITICISM
|x Asian
|x Chinese.
|2 bisacsh
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|a Chinese poetry
|2 fast
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|a Fu
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|a Chinese poetry.
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|a imperial China.
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|a late imperial Chinese literature.
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|a medieval Chinese literature.
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|a rhapsody.
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|a Criticism, interpretation, etc.
|2 fast
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|a Williams, Nicholas Morrow,
|e editor.
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|i Print version :
|z 9781641893312
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctvs32t0w
|z Texto completo
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|a Askews and Holts Library Services
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|a De Gruyter
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|a ProQuest Ebook Central
|b EBLB
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|a EBSCOhost
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