Vladimir Sorokin's discourses : a companion /

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"Vladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow's artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Uffelmann, Dirk (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Brookline, MA : Academic Studies Press, 2020.
Colección:Companions to Russian literature.
Temas:
Sorokin, Vladimir, > 1955- > Criticism and interpretation.
Sorokin, Vladimir, > 1955- > Aesthetics.
Sorokin, Vladimir, > 1955-
1900-2099
Russian prose literature > 20th century > History and criticism.
Russian prose literature > 21st century > History and criticism.
Prose russe > 21e siècle > Histoire et critique.
LITERARY CRITICISM > Russian & Former Soviet Union.
LITERARY CRITICISM / Russian & Former Soviet Union
Aesthetics.
Russian prose literature.
A Month in Dachau.
A Novel.
Blue Lard.
Day of the Oprichnik.
Ice.
Manaraga.
Marina's Thirtieth Love.
Moscow art scene.
Putin.
Russian literature.
Socialist Realism.
The Blizzard.
The Norm.
The Queue.
book burning.
censorship.
contemporary.
dissidence.
dystopia.
modern.
neo-imperialism.
neo-nationalism.
political commentary.
post-Soviet.
postmodernism.
pulp fiction.
sex.
taboos.
totalitarianism.
violence.
vulgar language.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: The late Soviet Union and Moscow's artistic underground
  • The Queue and collective speech
  • The Norm and Socialist realism
  • Marina's Thirtieth Love and dissident narratives
  • A Novel and classical Russian literature
  • A Month in Dachau and entangled totalitarianisms
  • Sorokin's new media strategies and civic position in post-Soviet Russia
  • Blue Lard and pulp fiction
  • Ice and esoteric fanaticism : a new Sorokin?
  • Day of the Oprichnik and political (anti- )utopias
  • The Blizzard and self-references of a meta-classic
  • Manaraga and reactionary anti-globalism
  • Discontinuity in continuity: prospects.

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