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ReFocus. The films of Xavier Dolan /
Examines the work of the Québecois film director, producer and screenwriter, Xavier Dolan. Spans the entirety of Dolan's prolific film and music video career. Provides cultural context to deepen appreciation of Dolan's films. Structured in short essays, easily taken up for undergraduate t...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2019]
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| Colección: | ReFocus: the international directors series.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a ReFocus. |p The films of Xavier Dolan / |c edited by Andreé Lafontaine |
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| 264 | 4 | |c ©2019 | |
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| 490 | 1 | |a ReFocus. The international directors series | |
| 520 | |a Examines the work of the Québecois film director, producer and screenwriter, Xavier Dolan. Spans the entirety of Dolan's prolific film and music video career. Provides cultural context to deepen appreciation of Dolan's films. Structured in short essays, easily taken up for undergraduate teaching. Ever since his first feature film I Killed My Mother premiered at Cannes, every film from the 29-year-old director Xavier Dolan has generated significant critical interest. A recipient of numerous awards, Dolan has recently taken his career to an international level with The Death and Life of John F. Donovan. As the first book-length study about Dolan, with case studies of key films like Mommy (2014), Tom at the Farm (2013) and It's Only the End of the World (2016), this volume explores the global reach of small national and subnational cinemas. In particular, it uses Dolan's cinema as a departure point to reconsider the position of Québec film and cultural imaginary within a global cinematic culture, as well as the intersections between national, millennial and queer filmmaking | ||
| 504 | |a Includes bibliographical references (pages 228-238) and index | ||
| 505 | 0 | |a The transgressive cinema of Xavier Dolan / Fulvia Massimi -- The Dolandrama: queer male authorship and the fabulous leading lady / Julianne Pidduck -- Xavier Dolan's backward cinema: straight spaces, queer temporality, and genealogical interruptions in Tom at the Farm and It's Only the End of the World / Florian Grandena and Pascal Gagné -- Spaces and times of Québec in films by Xavier Dolan / Bill Marshall -- Xavier Dolan's J'ai tué ma mère and Québec's New Cinema of mise-en-scène / Liz Czach -- Transcribing Tom à la ferme and Juste la fin du monde / Marie Pascal -- Xavier Dolan in India: the alchemy of film viewing / Navaneetha Mokkil -- Joy, melancholy, and the promise of happiness in Xavier Dolan's mommy / Mercédès Baillargeon -- "I am looking for someone who understands my language and speaks it": Dolan's excessive dialogues / Andrée Lafontaine -- Fade to grey: Dolan's pop fashion and surface style / Nick Rees-Roberts | |
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| 600 | 1 | 0 | |a Dolan, Xavier |x Criticism and interpretation. |
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| 700 | 1 | |a Lafontaine, Andreé, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t ReFocus. The films of Xavier Dolan. |d Edinburgh : Edinburgh University Press, [2019] |z 9781474444576 |w (OCoLC)1123161819 |
| 830 | 0 | |a ReFocus: the international directors series. | |
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