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|a Architecture filmmaking /
|c edited by Igea Troiani and Hugh Campbell.
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|a Bristol, UK ;
|a Chicago, USA :
|b Intellect Books Ltd,
|c 2020.
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|c ©2020
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|a 1 online resource
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|a text
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|a Includes bibliographical references and index.
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|a Cover; Half Title; Copyright; Title; Contents; INTRODUCTION : Architecture Filmmaking: Framing the Discourse and Conditions of Production in Architectural Practice and Education; PART ONE: ARCHITECTURE FILMMAKING TECHNIQUE; Architectural Codes in the Works of Dan Graham, Bernard Tschumi and Diller and Scofidio; The Depth Between Frames: Architectural Representation in Two Films by Elizabeth Price and Rut Blees Luxemburg; Mysteries of the Visible: Filmic Operations and Their Value for the Representation of Place -- Artistic Research in the Moving Image
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|a Paris Plays Itself: Widescreen and the City in Tati, Godard and MelvilleTracking Spatial Continuity in the Urban Realm; Inside History: Filmic Space-Time and an Electronics Archaeology; PART TWO: ARCHITECTURE FILMMAKERS; SECTION I: REIMAGINING DOMESTIC SPACE Reimagining Domesticity in 03-FLATS: Single Women and Singapore Public Housing; Filming Architecture and the Architecture of Film: A Reading of the Maison de Verre; Light Matter: The Transdisciplinary Practice of the Architectural Moving Drawing; SECTION II: REIMAGINING THE URBAN REALM; Hammer to Bell: A Poetic Documentary about Limerick
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|a Invented Memories: Notes on Filming Industrial Ruins in Eleonas, AthensErrant Bodies: A Critical Essay on the Film More Out of Curiosity; SECTION III: REIMAGINING AUTERSHIP; Fight Club: Whether to Make PoMo Architecture or Blow It Up!; His House, Our House and Her House: A Filmic Place for Women; Stylist as Auteur: Hierarchy, Reputation and Creative Control; PART THREE: ARCHITECTURE FILMMAKING PEDAGOGY; Un-framing Reality: Sets of Intensities as Smallest Common Denominator in Film and Architecture; From Blockbuster to Any Space: A Pedagogy of the Filmic Imaginary
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|a Deeper into Projection: Spatiotemporal Design Inquiry through Digital and Computational MethodsResonance and Transcendence of a Bodily Presence: How a Filmic Mapping of Non-Visual, Aural and Bodily Relations in Space Can Strengthen the Sensory Dimension in Landscape Architectural Design; Cinematic Collage as Architectural Design Research; Cinematics in Architectural Practice and Culture: The Cambridge Project; A Postgraduate Student's Pursuit for the Future of Architecture Filmmaking in Cuba's Cinematic Heart: No Hay CINE; AUTHOR BIOGRAPHIES; INDEX
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|a This book investigates the ways in which architectural researchers, teachers of architecture, their students and practicing architects, filmmakers and artists are using filmmaking uniquely in their practice.
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|a Online resource; title from digital title page (viewed on January 17, 2020).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Architecture in motion pictures.
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|a Architecture au cinéma.
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|a ARCHITECTURE / General
|2 bisacsh
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|a Motion pictures and architecture
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|a Troiani, Igea,
|e editor.
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|a Campbell, Hugh,
|e editor.
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|i Print version:
|a Troiani, Igea.
|t Architecture Filmmaking : Making Visible.
|d Bristol : Intellect Books Ltd, ©2019
|z 9781783209941
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvt0h
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