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Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt.
Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2019.
|
| Colección: | Visual and Material Culture, 1300-1700 Ser.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Knox, Giles. | |
| 245 | 1 | 0 | |a Sense Knowledge and the Challenge of Italian Renaissance Art : |b El Greco, Velázquez, Rembrandt. |
| 260 | |a Amsterdam : |b Amsterdam University Press, |c 2019. | ||
| 300 | |a 1 online resource (243 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Visual and Material Culture, 1300-1700 Ser. | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | 0 | |t Frontmatter -- |t Table of Contents -- |t Acknowledgements -- |t List of Illustrations -- |t Introduction: Polemics of Painting -- |t Part One. Origin Stories and the Challenge of Italy -- |t 1. El Greco: Italy, Crete, Toledo -- |t 2. From El Greco to Velázquez: Juan Bautista Maíno -- |t Part Two. Illusion, Materiality, Touch -- |t 3. Velázquez and Inversion: Making and Illusion -- |t 4. Vulcan, Mars, and Venus: Erotic Touch -- |t 5. Late Rembrandt I: Texture and the Skilled Touch -- |t 6. Late Rembrandt II: Feeling with the Eyes -- |t Conclusion -- |t Bibliography -- |t About the Author -- |t Index |
| 520 | |a Giles Knox examines how El Greco, Velázquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art, and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velázquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted. | ||
| 546 | |a In English. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 0 | 0 | |a Greco, |d 1541?-1614 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Velázquez, Diego, |d 1599-1660 |x Criticism and interpretation. |
| 600 | 0 | 0 | |a Rembrandt Harmenszoon van Rijn, |d 1606-1669 |x Criticism and interpretation. |
| 600 | 0 | 7 | |a Greco, |d 1541?-1614. |2 fast |0 (OCoLC)fst00074757 |
| 600 | 0 | 7 | |a Rembrandt Harmenszoon van Rijn, |d 1606-1669. |2 fast |0 (OCoLC)fst00047043 |
| 600 | 1 | 7 | |a Velázquez, Diego, |d 1599-1660. |2 fast |0 (OCoLC)fst00037140 |
| 650 | 0 | |a Painting, Renaissance |x Italian influences. | |
| 650 | 7 | |a Theory of art. |2 bicssc | |
| 650 | 7 | |a History of art and design styles: c 1400 to c 1600. |2 bicssc | |
| 650 | 7 | |a ART |x History |x Renaissance. |2 bisacsh | |
| 650 | 7 | |a Painting, Renaissance |x Italian influences. |2 fast |0 (OCoLC)fst01051058 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Knox, Giles. |t Sense Knowledge and the Challenge of Italian Renaissance Art : El Greco, Velázquez, Rembrandt. |d Amsterdam : Amsterdam University Press, ©2019 |
| 830 | 0 | |a Visual and Material Culture, 1300-1700 Ser. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctvr7f3hf |z Texto completo |
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