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Murmured conversations : a treatise on poetry and Buddhism /

"Murmured Conversations is the first complete and rigorously annotated translation of Sasamegoto (1463-1464), considered the most important and representative poetic treatise of the medieval period in Japan because of its thoroughgoing construction of poetry as a way to attain, and signify thro...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Shinkei, 1406-1475
Otros Autores: Ramirez-Christensen, Esperanza U.
Formato: Electrónico eBook
Idioma:Inglés
Japonés
Publicado: Stanford, Calif. : Stanford University Press, ©2008.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • 1. Prologue
  • 2. Renga History
  • 3. On the Tsukubashu
  • 4. Post-Shinkokinshu Waka
  • 5. Ancient and Middle-Period Renga
  • 6. The Character of the Work of the Early Masters
  • 7. The Style of Ineffable Depth (Yugen)
  • 8. Learning and the Study of Renga
  • 9. The Role of Waka in Renga Training
  • 10. On Hokku
  • 11. Double Meaning in Poetry
  • 12. The Manifold Configurations of Poetry
  • 13. The Roots of Poetry in Temporality
  • 14. Poetic Process as a Contemplation
  • 15. The Wisdom of Nondiscrimination
  • 16. Right Teaching and the Individual Poet
  • 17. The Influence of Companions in the Way
  • 18. Poetry and the Mundane Mind
  • 19. The Issue of Fame as Index of Poetic Value
  • 20. Poetry Is an Existential Discipline
  • 21. Poetry Is a Self-Consuming Passion
  • 22. Worldly Glory Versus Reclusive Concentration
  • 23. Criticism Is a Function of One's Own Limitations
  • 24. Sitting with a Master
  • 25. Constant Practice Is Decisive
  • 26. Valorizing the Deviant or Obscure
  • 27. The Difficulty of Comprehending Superior Poetry
  • 28. The "Vulgar" Verse
  • 29. Plagiarism
  • 30. Excessive Straining After Effect
  • 31. Semantic Confusion
  • 32. Incomprehensibility
  • 33. The Close Link and the Distant Link
  • 34. On Hen-jo-dai-kyoku-ryu; as the Structure of the Renga Link
  • 35. On Rikugi: The Six Types of Poetry
  • 36. Poetry Contests and Criticism
  • 37. Marks and Grade Points in Renga
  • 38. One's True Poetry Emerges in Old Age
  • 39. The State of Renga in Our Time
  • 40. About Hen-jo-dai-kyoku-ryu
  • 41. The Central Place of Grace (en) in the Poetic Process
  • 42. Verses on the Moon, Flowers, and Snow
  • 43. The Verse of Ineffable Remoteness (Yoon)
  • 44. Renga Rules and Buddhist Precepts: The Question of Morality and Freedom
  • 45. Poetry and Zen Meditation, the Cosmic Body, and the True Word
  • 46. The Link Between Maeku and Tsukeku
  • 47. The Nature and Goal of Criticism
  • 48. Selecting Friends of the Way
  • 49. The Close Link and the Distant Link
  • 50. On the Issue of the Ultimate Style
  • 51. Discipline in the Mind-Ground
  • 52. Orthodoxy and Plurality
  • 53. Reclusion
  • 54. The Impartiality of Divine Response
  • 55. Heredity, Social Status, and the Way
  • 56. The Mark of Temporality in Talent, Training, and Fame or Obscurity
  • 57. The Difficulty of Achieving the Way: The Transmission of Mind Is Beyond Language
  • 58. Mutually Supportive and Antagonistic Arts
  • 59. The Practice of Poetry in Our Time
  • 60. The Question of the True Buddha and the Ultimate Poem
  • 61. The Ten Virtues
  • 62. Epilogue
  • Appendix. Biographical Notes.